The Byrds
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Biography
[Edit]Although they only attained the huge success of the Beatles, Rolling Stones, and the Beach Boys for a short time in the mid-'60s, time has judged the Byrds to be nearly as influential as those groups in the long run. They were not solely responsible for devising folk-rock, but they were certainly more responsible than any other single act (Dylan included) for melding the innovations and energy of the British Invasion with the best lyrical and musical elements of contemporary folk music. The jangling, 12-string guitar sound of leader Roger McGuinn's Rickenbacker was permanently absorbed into the vocabulary of rock. They also played a vital role in pioneering psychedelic rock and country-rock, the unifying element being their angelic harmonies and restless eclecticism.
Often described in their early days as a hybrid of Dylan and the Beatles, the Byrds in turn influenced Dylan and the Beatles almost as much as Bob and the Fab Four had influenced the Byrds. The Byrds' innovations have echoed nearly as strongly through subsequent generations, in the work of Tom Petty, R.E.M., and innumerable alternative bands of the post-punk era that feature those jangling guitars and dense harmonies.
Although the Byrds had perfected their blend of folk and rock when their debut single, "Mr. Tambourine Man," topped the charts in mid-1965, it was something of a miracle that the group had managed to coalesce in the first place. Not a single member of the original quintet had extensive experience on electric instruments. Jim McGuinn (he'd change his first name to Roger a few years later), David Crosby, and Gene Clark were all young veterans of both commercial folk-pop troupes and the acoustic coffeehouse scene. They were inspired by the success of the Beatles to mix folk and rock; McGuinn had already been playing Beatles songs acoustically in Los Angeles folk clubs when Clark approached him to form an act, according to subsequent recollections, in the Peter & Gordon style. David Crosby soon joined to make them a trio, and they made a primitive demo as the Jet Set that was nonetheless bursting with promise. With the help of session musicians, they released a single on Elektra as the Beefeaters that, while a flop, showed them getting quite close to the folk-rock sound that would electrify the pop scene in a few months.
The Beefeaters, soon renamed the Byrds, were fleshed out to a quintet with the addition of drummer Michael Clarke and bluegrass mandolinist Chris Hillman, who was enlisted to play electric bass, although he had never played the instrument before. The band was so lacking in equipment in their early stages that Clarke played on cardboard boxes during their first rehearsals, but they determined to master their instruments and become a full-fledged rock band (many demos from this period would later surface for official release). They managed to procure a demo of a new Dylan song, "Mr. Tambourine Man"; by eliminating some verses and adding instantly memorable 12-string guitar leads and Beatlesque harmonies, they came up with the first big folk-rock smash (though the Beau Brummels and others had begun exploring similar territory as well). For the "Mr. Tambourine Man" single, the band's vocals and McGuinn's inimitable Rickenbacker were backed by session musicians, although the band themselves (contrary to some widely circulated rumors) performed on their subsequent recordings.
The first long-haired American group to compete with the British Invasion bands visually as well as musically, the Byrds were soon anointed as the American counterpart to the Beatles by the press, legions of fans, and George Harrison himself. Their 1965 debut LP, Mr. Tambourine Man, was a fabulous album that mixed stellar interpretations of Dylan and Pete Seeger tunes with strong, more romantic and pop-based originals, usually written by Gene Clark in the band's early days. A few months later, their version of Seeger's "Turn! Turn! Turn!" became another number-one hit and instant classic, featuring more great chiming guitar lines and ethereal, interweaving harmonies. While their second LP (Turn! Turn! Turn!) wasn't as strong as their debut full-length, the band continued to move forward at a dizzying pace. In early 1966, the "Eight Miles High" single heralded the birth of psychedelia, with its drug-like (intentionally or otherwise) lyrical imagery, rumbling bassline, and a frenzied McGuinn guitar solo that took its inspiration from John Coltrane and Indian music.
The Byrds suffered a major loss right after "Eight Miles High" with the departure of Gene Clark, their primary songwriter and, along with McGuinn, chief lead vocalist. The reason for his resignation, ironically, was fear of flying, although other pressures were at work as well. "Eight Miles High," amazingly, would be their last Top 20 single; many radio stations banned the record for its alleged drug references, halting its progress at number 14. This ended the Byrds' brief period as commercial challengers to the Beatles, but they regrouped impressively in the face of the setbacks. With the band continuing as a quartet, McGuinn, Crosby, and Hillman would assume a much larger (actually, the entire) chunk of the songwriting responsibilities. The third album, Fifth Dimension, contained more groundbreaking folk-rock and psychedelia on tracks like "Fifth Dimension," "I See You," and "John Riley," although it (like several of their classic early albums) mixed sheer brilliance with tracks that were oddly half-baked or carelessly executed.
Younger Than Yesterday, (1967) which included the small hits "So You Want to Be a Rock 'n' Roll Star" and "My Back Pages" (another Dylan cover), was another high point, Hillman and Crosby in particular taking their writing to a new level. In 1967, Crosby would assert a much more prominent role in the band, singing and writing some of his best material. He wasn't getting along so well with McGuinn and Hillman, though, and was jettisoned from the Byrds partway into the recording of The Notorious Byrd Brothers. Gene Clark, drafted back into the band as a replacement, left after only a few weeks, and by the end of 1967, Michael Clarke was also gone. Remarkably, in the midst of this chaos (not to mention diminishing record sales), they continued to sound as good as ever on Notorious. This was another effort that mixed electronic experimentation and folk-rock mastery with aplomb, with hints of a growing interest in country music.
As McGuinn and Hillman rebuilt the group one more time in early 1968, McGuinn mused upon the exciting possibility of a double album that would play as nothing less than a history of contemporary music, evolving from traditional folk and country to jazz and electronic music. Toward this end, he hired Gram Parsons, he has since said, to play keyboards. Under Parsons' influence, however, the Byrds were soon going full blast into country music, with Parsons taking a large share of the guitar and vocal chores. In 1968, McGuinn, Hillman, Parsons, and drummer Kevin Kelly recorded Sweetheart of the Rodeo, which was probably the first album to be widely labeled as country-rock.
Opinions as to the merits of Rodeo remain sharply divided among Byrds fans. Some see it as a natural continuation of the group's innovations; other bewail the loss of the band's trademark crystalline guitar jangle, and the short-circuited potential of McGuinn's most ambitious experiments. However one feels, there's no doubt that it marked the end, or at least a drastic revamping, of the "classic" Byrds sound of the 1965-1968 period (bookended by the Tambourine Man and Notorious albums). Parsons, the main catalyst for the metamorphosis, left the band after about six months, partially in objection to a 1968 Byrds tour of South Africa. It couldn't have helped, though, that McGuinn replaced several of Parsons' lead vocals on Rodeo with his own at the last minute, ostensibly due to contractual obstacles that prevented Parsons from singing on Columbia releases. (Some tracks with Parsons' lead vocals snuck on anyway, and a few others surfaced in the 1990s on the Byrds box set).
Chris Hillman left the Byrds by the end of 1968 to form the Flying Burrito Brothers with Parsons. Although McGuinn kept the Byrds going for about another five years with other musicians (most notably former country picker Clarence White), essentially the Byrds name was a front for Roger McGuinn and backing band. Opinions, again, remain sharply divided about the merits of latter-day Byrds albums. McGuinn was (and is) such an idiosyncratic and pleasurable talent that fans and critics are inclined to give him some slack; no one else plays the 12-string as well, he's a fine arranger, and his Lennon-meets-Dylan vocals are immediately distinctive. Yet aside from some good echoes of vintage Byrds like "Chestnut Mare," "Jesus Is Just Alright," and "Drug Store Truck Drivin' Man," nothing from the post-1968 Byrds albums resonates with nearly the same effervescent quality and authority of their classic 1965-1968 period. This is partly because McGuinn is an erratic (though occasionally fine) songwriter; it's also because the Byrds at their peak were very much a unit of diverse and considerable talents, not just a front for their leader's ideas.
The Byrds' diminishing importance must have stung McGuinn doubly in light of the rising profiles of several Byrds alumni as the '60s turned into the '70s. David Crosby was a superstar with Crosby, Stills, Nash & Young; Hillman, Parsons, and (for a while) Michael Clarke were taking country-rock further with the Flying Burrito Brothers; even Gene Clark, though he'd dropped out of sight commercially, was recording some respected country-rock albums on his own. The original quintet actually got back together for a one-off reunion album in 1973; though it made the Top 20, it was the first, and one of the most flagrant, examples of the futility of a great band reuniting in an attempt to recapture the lightning one last time.
The original Byrds continued to pursue solo careers and outside projects throughout the 1970s and 1980s. McGuinn, Clark, and Hillman had some success at the end of the 1970s with an adult contemporary variation on the Byrds' sound; in the 1980s, Crosby battled drug problems while Hillman enjoyed mainstream country success with the Desert Rose Band. The Byrds' legend was tarnished by squabbles over which members of the original lineup had the rights to use the Byrds name; for quite a while, drummer Michael Clarke even toured with a "Byrds" that featured no other original members. The Byrds were inducted into the Rock & Roll Hall of Fame in 1991; Gene Clark died several months later, and Michael Clarke died in 1993, permanently scotching prospects of a reunion involving the original quintet.
Title: Ballad of Easy Rider
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: You Movin' / Boston - Single
Artist: The Byrds
Genre: Rock, Folk Rock, Punk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Best of the Byrds - Greatest Hits, Vol. II
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Notorious Byrd Brothers
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Fifth Dimension (Bonus Track Version)
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Byrdmaniax 1971 [Expanded & Remastered]
Artist: The Byrds
Genre: Rock, Folk Rock, Country Rock
Title: 20 Essential Tracks from the Boxed Set: 1965-1990
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Setlist: The Very Best of The Byrds (Live)
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Ballad Of Easy Rider 1969 [Expanded & Remastered]
Artist: The Byrds
Genre: Rock, Folk Rock, Country Rock
Title: Live At the Fillmore - February 1969
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Original Singles A's & B's 1965-1971 (CD2)
Artist: The Byrds
Genre: Rock, Folk Rock, Psychedelic Rock
Title: The Byrds
Artist: The Byrds
Genre: Rock, Folk Rock, Country, Pop, Songwriter/Lyricist, Psychedelic
Title: Mr. Tambourine Man
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Turn! Turn! Turn!
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Preflyte Sessions
Artist: The Byrds
Genre: Rock, Folk Rock, Punk Rock, World Music, Songwriter/Lyricist, Psychedelic, Folk
Title: Fifth Dimension
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Sweetheart of the Rodeo (Legacy Edition)
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Preflyte
Artist: The Byrds
Genre: Rock, Folk Rock, Punk Rock, World Music, Songwriter/Lyricist, Psychedelic, Folk
Title: Farther Along
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Essential Byrds
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Essential Byrds 3.0 (Limited Edition)
Artist: The Byrds
Genre: Rock, Punk Rock, World Music, Country, Folk
Title: Greatest Hits
Artist: The Byrds
Genre: Industrial, Hip Hop/R&B, Soul, Rock, Alternative Rock, Folk Rock, Hard Rock, New Wave, Psychedelic Rock, Post Punk, Metal, Gothic Metal, Heavy Metal, Country, Country Rock, Pop, Ska, Songwriter/Lyricist, Funk, Psychedelic, Progressive
Title: Concert Gebouw Amsterdam (Live)
Artist: The Byrds
Genre: Rock, Folk Rock, Punk Rock, Country Rock
Title: The Original Singles A's & B's 1965-1971 (CD1)
Artist: The Byrds
Genre: Rock, Folk Rock, Psychedelic Rock
Title: A Song For You (Limited Edition) (CD2)
Artist: Gram Parsons, The Byrds
Genre: Country, Country Rock
Title: There Is a Season
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Original Singles 1965-1967, Vol. 1
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Sweetheart of the Rodeo
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: The Byrds Play Dylan
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Title: Younger Than Yesterday
Artist: The Byrds
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Collections
Title: Joe Top 2000 Volume 11 (CD3)
Title: Masspooldjs Sounds Of The Oldies Vol. 20
Genre: Gospel, Rock, World Music, Country, Disco, Sunshine Pop, Theatre/Soundtrack, Folk
Title: 60s Hits 2 (Universal Music Belgium)
Genre: Hip Hop/R&B, Rock, Rock & Roll, Punk Rock, Reggae, Country, Pop, Acoustic, Classical
Title: 100 Greatest American Songs 2019 (CD2)
Genre: Dancefloor, Pop, Dance Pop
Title: The Woodstock Generation 1969 (CD1)
Genre: Rock, Folk Rock, Psychedelic Rock
Title: Country Night Top 130 (CD1)
Genre: Electronica
Title: Raise The Roof: Country Bands
Genre: World Music, Folk
Title: NOW 100 Hits Country 5CD 2020 (CD2)
Genre: Gospel, World Music, Country, Outlaw Country, Folk
Title: Ford V Ferrari (Original Soundtrack)
Genre: Theatre/Soundtrack
Title: Dreamboats & Petticoats - Silver Linings (CD2)
Genre: Pop
Title: 100 Hits Of The 70's & 80's & 90's (CD70)
Genre: Pop Rock
Title: 100 Greatest 60s Classics (CD2)
Genre: Soul, Blues, Rock, Rock & Roll, World Music, Rockabilly, Pop, Folk
Title: 40 Classic Rock Favorites 2
Genre: Blues, Rock, Hard Rock, Rock & Roll, Heavy Metal, Classical
Title: 100 Greatest 60s Classics 2020 (CD2)
Genre: Hip Hop/R&B, Rock, Punk Rock, Pop
Title: The Best British Legends In The World... Ever! (CD1)
Genre: Hip Hop/R&B, Soul, New Wave, World Music, Disco, Pop, Funk
Title: Best Rock Of All Time (CD2)
Genre: Rock, Punk, Punk Rock, Alternative
Title: Nostalgie Classics Top 2020 (CD4)
Genre: Pop
Title: 60s Roc (CD2)
Genre: Rock, Punk Rock, Alternative
Title: 60s Roc (CD1)
Genre: Rock, Punk Rock, Alternative
Title: Top 40 Hitdossier Country (CD1)
Genre: Country
Title: The Road To Punk Rock (CD2)
Title: The Hits: The # 1s (CD1)
Genre: Hip Hop/R&B, Soul, New Wave, Power Pop, Reggae, Roots Reggae, World Music, Country, Alternative
Title: Jukebox Gold: Ultimate Collection (CD5)
Genre: Hip Hop/R&B, Rock, Punk Rock, Pop
Title: Top 40 Hitdossier 60s (CD1)
Title: Top 40 Hitdossier 60s (CD5)
Title: Ultimate Jukebox Gold 5CD 2020 (CD5)
Genre: Hip Hop/R&B, Soul, Rock, Rock & Roll, Punk, Outlaw Country, Rockabilly, Pop Rock
Title: Always Rock Mood Vol 1. (CD2)
Genre: Rock, Hard Rock, Punk Rock, Metal, Pop, Pop Rock, Alternative
Title: 100 Hit Legenden (CD1)
Title: The Hits: The 60S (CD1)
Genre: Soul, Blues, Rock, Garage Rock, Classical, Easy Listening
Title: 80 Tracks Easy 60s Playlist Spotify 2020 (CD2)
Genre: Hip Hop/R&B, Soul, World Music, Country, Sunshine Pop, Folk
Title: Le Mans '66 (Original Soundtrack)
Genre: Jazz, Rock, Punk Rock, World Music, Country, Theatre/Soundtrack, Folk
Title: 50 Years Of Country Rock
Genre: Country Rock
Title: De Pre Historie - De Jaren '60 Vol. 2 (CD6)
Genre: Hip Hop/R&B, Soul, Rock, Punk Rock, World Music, Pop, Folk
Title: 100 Flower Power Hits: The Sound Of My Life (CD1)
Genre: Hip Hop/R&B, Rock, Punk Rock, Pop
Title: 100 Oldies Vol. 1 - The Sound Of My Life (CD1)
Genre: Pop
Title: 100 Oldies Vol. 1 - The Sound Of My Life (CD5)
Genre: Pop
Title: 100 Oldies Vol. 2 - The Sound Of My Life (CD1)
Genre: Pop
Title: The # 1 Album: 60S Pop 3CD 2019 (CD1)
Genre: Hip Hop/R&B, Rock, Rock & Roll, World Music, Country, Classical, Folk, Easy Listening
Title: Legendary Rock
Title: 100 Tracks Rock Classics Playlist Spotify 2021 (CD2)
Genre: Blues, Rock, Hard Rock, Power Pop, Rock & Roll, Pop, Acoustic
Title: Roll Over Beethoven (CD2)
Genre: Rock & Roll
Title: 60s Hits Essentials (CD1)
Genre: Hip Hop/R&B, Soul, Rock, Rock & Roll, Pop, Funk, Classical
Title: 60s Hits Essentials (CD2)
Genre: Hip Hop/R&B, Soul, Rock, Rock & Roll, Pop, Funk, Classical
Title: '60s Psychedelic Essentials (CD1)
Genre: Hip Hop/R&B, Soul, Rock, Punk Rock, Pop
Title: '60s Psychedelic Essentials (CD2)
Genre: Hip Hop/R&B, Soul, Rock, Punk Rock, Pop
Title: ’60s Rock Essentials (CD1)
Title: ’60s Rock Essentials (CD2)
Featuring albums
Title: Pop Music: The Golden Era 1951-1975
Artist: Various
Genre: Blues, Rock, Pop, Theatre/Soundtrack, Vocal & Symphonic
Title: Voyage [Box Set]
Artist: David Crosby
Genre: Gospel, Rock, Christian Rock, Country, Christian Country Music, Alternative Country
Title: The Best Of Can't You Hear Me Callin' - Bluegrass: 80 Years Of American Music
Artist: Various
Genre: Country
Title: The Magic Strings of Frankie Presto: The Musical Companion
Artist: Various Artists
Genre: Theatre/Soundtrack
Title: Can't You Hear Me Callin' - Bluegrass: 80 Years of American Music
Artist: Various Artists
Genre: Country
Title: Live At Music Hall Of Williamsburg, Brooklyn, NY, US, May 20, 2014 (AUD)
Artist: Built To Spill
Genre: Indie Rock, Indie
Title: From The Earth To The Moon (Original Soundtrack)
Artist: Michael Kamen
Genre: Theatre/Soundtrack
Title: Summer In The City (CD2)
Artist: Dreamboats, The Miniskirts
Genre: Hip Hop/R&B, Rock, Pop Rock
Title: Flower Power (CD2)
Artist: Fetenhits
Genre: Soul, Blues, Rock, Rock & Roll, World Music, Country, Funk, Folk, Fusion
Title: Ford V Ferrari (Original Soundtrack + Original Score - FYC)
Artist: Marco Beltrami, Buck Sanders
Genre: Theatre/Soundtrack
Title: Legends: The Ultimate Rock Collection (CD1: Pluggin' In)
Artist: The Legends, Time Life
Genre: Rock
Title: Legends: The Ultimate Rock Collection (CD6: For Your Love)
Artist: The Legends, Time Life
Genre: Rock
Title: Country Music - A Film by Ken Burns (The Soundtrack) [Deluxe]
Artist: Various Artists
Genre: Country