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Fifth Dimension (Bonus Track Version)

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Download links and information about Fifth Dimension (Bonus Track Version) by The Byrds. This album was released in 1966 and it belongs to Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic genres. It contains 17 tracks with total duration of 01:01:17 minutes.

Artist: The Byrds
Release date: 1966
Genre: Rock, Folk Rock, Pop, Songwriter/Lyricist, Psychedelic
Tracks: 17
Duration: 01:01:17
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Tracks

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No. Title Length
1. 5D (Fifth Dimension) 2:33
2. Wild Mountain Thyme 2:30
3. Mr. Spaceman 2:09
4. I See You 2:38
5. What's Happening? 2:35
6. I Come and Stand At Every Door 3:03
7. Eight Miles High 3:34
8. Hey Joe (Where You Gonna Go) 2:16
9. Captain Soul 2:53
10. John Riley 2:57
11. 2-4-2 Fox Trot (The Lear Jet Song) 2:12
12. Why (Single Version) [Bonus Track] 2:59
13. I Know My Rider (I Know You Rider) [Bonus Track] 2:43
14. Psychodrama City (Bonus Track) 3:23
15. Eight Miles High (Alternate RCA Version) [Bonus Track] 3:19
16. Why (Alternate RCA Version) [Bonus Track] 2:40
17. John Riley (Instrumental) [Bonus Track] 16:53

Details

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Although the Byrds' Fifth Dimension was wildly uneven, its high points were as innovative as any rock music being recorded in 1966. Immaculate folk-rock was still present in their superb arrangements of the traditional songs "Wild Mountain Thyme" and "John Riley." For the originals, they devised some of the first and best psychedelic rock, often drawing from the influence of Indian raga in the guitar arrangements. "Eight Miles High," with its astral lyrics, pumping bassline, and fractured guitar solo, was a Top 20 hit, and one of the greatest singles of the '60s. The minor hit title track and the country-rock-tinged "Mr. Spaceman" are among their best songs; "I See You" has great 12-string psychedelic guitar solos; and "I Come and Stand at Every Door" is an unusual and moving update of a traditional rock tune, with new lyrics pleading for peace in the nuclear age. At the same time, the R&B instrumental "Captain Soul" was a throwaway, "Hey Joe" not nearly as good as the versions by the Leaves or Jimi Hendrix, and "What's Happening?!?!" the earliest example of David Crosby's disagreeably vapid hippie ethos. These weak spots keep Fifth Dimension from attaining truly classic status.