Slowdive
Wikimp3 information about the music of Slowdive. On our website we have 26 albums and 25 collections of artist Slowdive. You can find useful information and download songs of this artist. We also know that Slowdive represents Alternative genres.
Biography
[Edit]Named after a word in one of Nick Chaplin's dreams — not from a Siouxsie and the Banshees single — Slowdive formed in Reading, England, in late 1989. The group originally consisted of Neil Halstead (guitar/vocals), Rachel Goswell (guitar/vocals), Christian Savill (guitar), Adrian Sell (drums), and Chaplin (bass). Formed when they were mostly in their teens, Slowdive was initially lumped in with the remainder of the early-'90s British shoegaze scene; Slowdive's later releases extended upon the likes of the Cocteau Twins and the more atmospheric sides of post-punk, and they closed out their career with an excellent and misunderstood ambient LP.
Signing with Creation, Slowdive's early singles received glowing press and chart placement. Their debut single, Slowdive, thinly veiled an indebtedness to the Byrds and My Bloody Valentine, with no traceable punk influence. (In fact, they were probably amongst the first batch of young rock bands to ignore the movement.) Just after Slowdive's recording, Sell left for university. Neil Carter subbed for less than a year, lending his skills to the follow-up single, Morningrise; former Charlottes member Simon Scott hopped on board prior to the band's third single, Holding Our Breath. The sleepy escapist psychedelia of both Morningrise and Holding Our Breath made significant impressions on the British indie chart. The press dubbed them part of "The Scene That Celebrates Itself" — a small, loose, conglomerate of like-minded bands who could be seen at each other's shows, frequently hanging out together within the same circle. This "scene" included Lush, Moose, Swervedriver, Curve, and Blur. Not associating with themselves as a move of self-importance, grandstanding, or high society, it was merely a means for those involved to get into shows for free. Most of those involved were university dropouts on the dole. A dastardly move by the press, the tag just made it easier for them to lasso a group of bands into the to-be-expected derision. With the Brit-pop trend close behind, they could cast aside their champs of yesterday with one fell swoop.
Slowdive's debut LP, Just for a Day, was released in September of 1991. Though it placed in the Top Ten of the indie chart, the press backlash was beginning to surface — shoegaze was beginning to fall out of favor, and when bands put out a full-length, it's typically an ideal time for the British press to decide you're no good. Regardless, it was a fine debut. Months later, the Blue Day compilation appeared on the racks. It combined the bands first three singles, leaving off their version of Syd Barrett's "Golden Hair" and the instrumental version of "Avalyn."
The band's sound tightened for Souvlaki (named from a favorite Jerky Boys skit), released in mid-1993. (Initial copies included Blue Day as a second disc.) With assistance from Brian Eno on a couple tracks and an excellent mixing job from Ed Buller, it was a marked improvement from their earlier material. It wandered less, but didn't sacrifice their sense of woozy atmosphere for it. Troubles with U.S. label SBK prevented Souvlaki from being released anywhere near it's U.K. street date and U.S. dates with Catherine Wheel that had been intended to promote Souvlaki proved to be another incident of bad timing; at that point, they were playing in a country where their record wouldn't be available for months. Souvlaki was finally released eight full months later in the U.S.; SBK tacked on four bonus tracks, including 3/4ths of the 5 EP. By this time, Scott had amicably parted, leaving to cater to his jazz instincts in Foxy Brown. (He would later join Inner Sleeve.) Ex-Mermaid Ian McCutcheon signed on.
SBK had been shafting Slowdive from the get-go. Their marketing scheme for Souvlaki will undoubtedly go down in industry history as one of the laziest ever. The band's mailing list was sent a flyer announcing the release date. Anyone who made 50 copies of the flyer, posted them around their town, and photographed them would win a copy of the record. The label obviously hadn't considered that this would be a more costly venture (and quite time consuming) than buying Souvlaki, a disc they had probably purchased on import eight months prior at an exorbitant enough price.
Botching numerous U.S. tours and decimating the itineraries at Spinal Tap-like levels, the gaffes culminated with SBK pulling financial support from of a Souvlaki support tour. Determined to not screw their U.S. fans over, they funded a two week tour on their own. The band sold a live tape to help pay their way and also put together a tour program that included a blurb about their beloved American label. Despite poor exposure in the States, the band had cultivated a sizeable following through word of mouth and short tours with the aforementioned and Ride.
The band's third and final studio outing was released in 1995. Pygmalion was essentially a solo ambient record by Halstead; the only detectable contributions were courtesy of Goswell's vocals and occasional patterns from McCutcheon. Within a couple weeks of release, Creation dropped the band. SBK had since given them the boot as well, but their U.K. label had been expecting a song-based affair. Slowdive had clearly turned into something separate from what they had been signed as. Taken further than the intelligent techno slant of the 5 EP, the record was often beatless. Unhappy with this shift, Chaplin and Savill left during the recording. The remaining members continued as Mojave 3, signed by 4AD on the strength of a demo that basically became their stellar debut LP.
Title: Pygmalion
Artist: Slowdive
Genre: Ambient, Electronica, Rock, Progressive Rock, Punk Rock, Alternative
Title: Sugar for the Pill (Avalon Emerson's Gilded Escalation) - Single
Artist: Slowdive
Genre: Electronica, Alternative
Title: Black Horse Pike (Slowdive Remix) - Single
Genre: Ambient, Electronica, Rock, Indie Rock, Punk Rock, Alternative
Collections
Title: The Doom Generation (Original Soundtrack)
Genre: Theatre/Soundtrack
Title: Rock 90s Vol. 1 (CD2)
Genre: Rock, Punk, Alternative
Title: Rock 90s Vol. 2 (CD2)
Genre: Rock, Punk, Alternative
Title: Rock 90s Vol. 3 (CD4)
Genre: Rock, Punk, Pop, Alternative
Title: Bleep: 100 Tracks 2017 (CD1)
Genre: House, Deep House, Tech House
Title: Rockdelux Momentos Canciones Nacionales Vol. 1
Genre: Rock, Punk Rock, World Music, Latin, Pop, Alternative, Folk
Title: C90 [Cherry Red] (CD1)
Genre: Alternative Rock, Garage Rock, Indie Pop, Indie Rock, Psychedelic Rock, Post Punk, Indie
Title: 100 Greatest 90s Indie Classics (CD2)
Genre: Indie Pop, Indie Rock, Alternative
Title: 100 Greatest Alternative 90s (CD1)
Genre: Rock, Punk, Punk Rock, Metal, Alternative
Title: ’90s Indie Essentials 2021 (CD1)
Genre: Indie Rock, Alternative
Title: ’90s Indie Essentials 2021 (CD2)
Genre: Indie Rock, Alternative
Title: Shoegaze And Dreampop Essentials (CD1)
Genre: Alternative
Title: Shoegaze And Dreampop Essentials (CD2)
Genre: Alternative
Title: Shoegaze Classics (CD1)
Genre: Rock, Punk Rock, Alternative
Title: Shoegaze Classics (CD2)
Genre: Rock, Punk Rock, Alternative
Title: Back To Mine - Tycho 2022
Genre: Ambient, Rock, Punk Rock, Pop, Psychedelic
Title: Casa Sunday Chillout 2022 (CD2)
Genre: Ambient
Title: The World Of Alternative Music (CD1)
Genre: Pop Rock, Alternative, Indie
Title: Pop Rock: Hits Of The Alternative Scene (CD4)
Genre: Rock, Punk Rock, Pop, Alternative, Indie
Title: Individuality In Music (CD1)
Genre: Pop Rock, Alternative, Indie
Title: Unexpected Pop Rock Music (CD1)
Genre: Pop Rock, Alternative, Indie
Title: The Test Of Imagination (CD1)
Genre: Rock, Punk Rock, Pop, Alternative, Indie
Title: In The World Of Sound Herbarium (CD1)
Genre: Pop Rock, Alternative, Indie
Featuring albums
Title: Late Night Tales: Friendly Fires
Artist: Friendly Fires
Genre: Electronica, Hip Hop/R&B, Soul, Jazz, Rock, Indie Rock, Dancefloor, Disco, Dance Pop, Alternative
Title: Best-Of: Requested Cover Songs
Artist: Lotte Kestner
Genre: Indie Pop, World Music, Acoustic, Folk
Title: Harbour Boat Trips Vol. 02 Copenhagen
Artist: Trentemøller / Trentemoller
Genre: Trip Hop, Industrial, Rock, Punk Rock, Experimental