Cornelius Cardew
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Biography
[Edit]Cardew was a chorister at Canterbury Cathedral for eight years, and he later studied at the RAM. He received a scholarship from the RAM in 1957 to study electronic music in Köln. He served as an assistant to Stockhausen from 1958-60 and collaborated with him on the composition Carré. After a period as a graphic designer, Cardew became professor of composition at the RAM in 1967. Influenced by Cage and Tudor, Cardew was interested in the idea of performer participation in the creation of a work. He composed music that could be realized in several ways with notation that is a suggestion of the possible interpretations of the score. His most important work with this method is his graphic score Treatise (1963-7). In it, the performers must interpret the work as a sound version of how they see the score. This score can also be read as an abstract visual artwork. Cardew was also a frequent performer of the work of Stockhausen, Cage, Feldman and Wolff. Together with pianist John Tilbury, Cardew became known as a leading interpreter of experimental and indeterminate music in England.
Title: The Great Learning & Two Poems
Artist: David Bedford, Cornelius Cardew
Genre: Avant Garde Jazz, Avant Garde Metal, Classical
Title: Cornelius Cardew: Chamber Music 1964
Artist: Cornelius Cardew, Apartment House
Genre: Classical
Title: Works 1960–70
Artist: John Tilbury, Cornelius Cardew, Rhodri Davies
Genre: Free Improvisation, Classical, Contemporary Folk
Collections
Title: Lotto S.E.L. - Et Spel for to Eller Fleire
Genre:
Title: The ReR Quarterly, Vol. 4, No. 1
Genre: Rock
Title: 111 More Classic Tracks
Genre:
Featuring albums
Title: Reich: Drumming
Artist: Steve Reich, Jay Clayton, Joan La Barbara, Bob Becker, Russ Hartenberger, James Preiss
Genre: Ambient, Breakbeat , Electronica, House, Techno, Industrial, Hip Hop/R&B, Rap, Jazz, Dancefloor, Dance Pop, Bop