Blur
Wikimp3 information about the music of Blur. On our website we have 70 albums and 70 collections of artist Blur. You can find useful information and download songs of this artist. We also know that Blur represents Rock genres.
Biography
[Edit]Initially, Blur were one of the multitude of British bands that appeared in the wake of the Stone Roses, mining the same swirling, pseudo-psychedelic guitar pop, only with louder guitars. Following an image makeover in the mid-'90s, the group emerged as the most popular band in the U.K., establishing itself as heir to the English guitar pop tradition of the Kinks, the Small Faces, the Who, the Jam, Madness, and the Smiths. In the process, the group broke down the doors for a new generation of guitar bands that became labeled as Brit-pop. With Damon Albarn's wry lyrics and the group's mastery of British pop tradition, Blur were the leader of Brit-pop, but they quickly became confined by the movement; since they were its biggest band, they nearly died when the movement itself died. Through some reinvention, Blur reclaimed their position as an art pop band in the late '90s by incorporating indie rock and lo-fi influences, which finally gave them their elusive American success in 1997. But the band's legacy remained in Britain, where they helped revitalize guitar pop by skillfully updating the country's pop traditions.
Originally called Seymour, the group was formed in London in 1989 by vocalist/keyboardist Albarn along with guitarist Graham Coxon and bassist Alex James, with drummer Dave Rowntree joining the lineup shortly afterward. After performing a handful of gigs and recording a demo tape, the band signed to Food Records, a subsidiary of EMI run by journalist Andy Ross and former Teardrop Explodes keyboardist Dave Balfe. Balfe and Ross suggested that the band change its name, submitting a list of alternate names for the group's approval. From that list, the group took the name Blur.
"She's So High," the group's first single, made it into the Top 50 while the follow-up, "There's No Other Way," went Top Ten. Both singles were included on their 1991 Stephen Street-produced debut album, Leisure. Although it received favorable reviews, the album fit neatly into the dying Manchester pop scene, causing some journalists to dismiss the band as manufactured teen idols. For the next two years, Blur struggled to distance themselves from the scene associated with the sound of their first album.
Released in 1992, the snarling "Pop Scene" was Blur's first attempt at changing their musical direction. A brash, spiteful rocker driven by horns, the neo-mod single was punkier than anything the band had previously recorded and its hooks were more immediate and catchy. Despite Blur's clear artistic growth, "Pop Scene" didn't fit into the climate of British pop and American grunge in 1992 and failed to make an impression on the U.K. charts. Following the single's commercial failure, the group began work on its second album, Modern Life Is Rubbish, a process that would take nearly a year and a half.
XTC's Andy Partridge was originally slated to produce Modern Life Is Rubbish, but the relationship between Blur and Partridge quickly soured, so Street was again brought in to produce the band. After spending nearly a year in the studio, the band delivered the album to Food. The record company rejected it, declaring that it needed a hit single. Blur went back into the studio and recorded Albarn's "For Tomorrow," which would turn out to be a British hit. Food was ready to release the record, but the group's U.S. record company, SBK, believed there was no American hit single on the record and asked them to return to the studio. Blur complied and recorded "Chemical World," which pleased SBK for a short while; the song would become a minor alternative hit in the U.S. and charted at number 28 in the U.K. Modern Life Is Rubbish was set for release in the spring of 1993 when SBK asked Blur to re-record the album with producer Butch Vig (Nirvana, Sonic Youth). The band refused and the record was released in May in Britain; it appeared in the United States that fall. Modern Life Is Rubbish received good reviews in Britain, peaking at number 15 on the charts, yet it failed to make much of an impression in the U.S.
Modern Life Is Rubbish turned out to be a dry run for Blur's breakthrough album, Parklife. Released in April 1994, Parklife entered the charts at number one and catapulted the band to stardom in Britain. The stylized new wave dance-pop single "Girls and Boys" entered the charts at number five; the single managed to spend 15 weeks on the U.S. charts, peaking at number 52, but the album never cracked the charts. It was a completely different story in England, as Blur had a string of hit singles, including the ballad "To the End" and the mod anthem "Parklife," which featured narration by Phil Daniels, the star of the film version of the Who's Quadrophenia.
With the success of Parklife, Blur opened the door for a flood of British indie guitar bands that dominated British pop culture in the mid-'90s. Oasis, Elastica, Pulp, the Boo Radleys, Supergrass, Gene, Echobelly, Menswear, and numerous other bands all benefited from the band's success. By the beginning of 1995, Parklife had gone triple platinum and Blur had become superstars. The group spent the first half of 1995 recording its fourth album and playing various one-off concerts, including a sold-out stadium show. Blur released "Country House," the first single from their new album, in August amidst a flurry of media attention because Albarn had the single's release moved up a week to compete with the release of "Roll with It," a new single from Blur's chief rival, Oasis. The strategy backfired. Although Blur won the battle, with "Country House" becoming the group's first number one single, they ultimately lost the war, as Oasis became Britain's biggest band with their second album, (What's the Story) Morning Glory?, completely overshadowing the follow-up to Parklife, The Great Escape. While The Great Escape entered the U.K. charts at number one and earned overwhelmingly positive reviews, it sold in smaller numbers, and by the beginning of 1996, Blur were seen as has-beens, especially since they once again failed to break the American market, where Oasis had been particularly successful.
In the face of negative press and weak public support, Blur nearly broke up in early 1996, but they instead decided to spend the entire year out of the spotlight. By the end of the year, Albarn was declaring that he was no longer interested in British music and was fascinated with American indie rock, a genre that Graham Coxon had been supporting for years. These influences manifested themselves on Blur's fifth album, Blur, which was released in February of 1997 to generally positive reviews. The band's reinvention wasn't greeted warmly in the U.K. — the album and its first single, "Beetlebum," debuted at number one and quickly fell down the charts — as Blur's mass audience didn't completely accept their new incarnation. However, the band's revamped sound earned them an audience in the U.S., where Blur received strong reviews and became a moderate hit, thanks largely to the popularity of the single "Song 2." The success in America eventually seeped over to Britain, and by the spring, the album had bounced back up the charts. 13 followed in 1999.
Albarn stepped out with the hip-hop/pop cartoon group Gorillaz in 2000, a collaboration with artist Jamie Hewlett that soon eclipsed the popularity of Blur internationally. Coxon departed during the recording of Blur's next album, with Albarn stepping in on guitar. One last album, Think Tank, appeared in 2003 but the bandmembers went their separate ways after its release, with Albarn turning toward Gorillaz and other creative projects. Blur wound up reuniting for a tour of the U.K. in 2009, preceded by the career retrospective Midlife.
From there, Blur pursued a halting reunion. They played a number of high profile gigs in 2009, including headlining Glastonbury, then in 2010 a documentary of the band's history called No Distance Left to Run appeared. Along with it came "Fool's Day," a limited-edition single timed to coincide with 2010's Record Store Day. 2011 turned out to be quiet, but 2012 was a bustling year for Blur, with the band delving deep into their past for the exhaustive box set Blur 21, which contained double-disc reissues of all of their seven studio albums plus four discs of unreleased material and three DVDs. Along with this box came "Under the Westway/The Puritain," a single to support the box and the group's headlining spot at the closing Olympic ceremonies in August 2012. That concert at Hyde Park was released digitally the following week as Parklive.
Title: Ong Ong (UK CDR Promo Single)
Artist: Blur
Genre: Indie Rock, Post Rock, Post Punk, Pop, Indie
Collections
Title: Radio Hits 90s Vol. 2 (CD1)
Title: Rock School 90s (CD3)
Genre: Rock, Hard Rock, Heavy Metal, Alternative
Title: Partybreaks And Remixes 1808 (CD1)
Genre: World Music, Latin
Title: DMC Commercial Collection 424 (CD2)
Genre: House, Industrial, Electro, Hip Hop/R&B, Dancefloor, Disco, Pop, Dance Pop, EBM
Title: Popular 90s And Coolhits! (CD1)
Genre: Trip Hop, Eurodance, Happy Hardcore, Acid Jazz, Western Swing, Pop, Bossanova
Title: 100 Greatest Summer Songs (CD2)
Genre: Rock, Punk Rock, Dancefloor, Pop, Dance Pop
Title: 100 Greatest Dance Tracks 2019 (CD1)
Genre: Electronica, Garage, Drumstep, World Music, Country, Disco, Synth Pop, Alternative, Folk
Title: 100 Greatest Dance Tracks 2019 (CD2)
Genre: Electronica, Garage, Drumstep, World Music, Country, Disco, Synth Pop, Alternative, Folk
Title: Mastermix Presents The 100 Collection 90s Vol. 1 (CD2)
Genre: Hip Hop/R&B, Rap, Dancefloor, Reggae, Club/Dance, Disco, Pop, Dance Pop
Title: DJ Connections Gathering 2019 (CD1)
Genre: Electronica, House, Dancehall, Reggaeton, World Music, Latin
Title: 190 DJ Loaded Thinking Approach To EDM 2019 (CD1)
Genre: House, Reggaeton, World Music, Latin, Disco, Funk, Dubstep, Trap
Title: Select Mix The Edge Vol. 41
Genre: New Wave, Punk, Alternative, Funk, Indie
Title: 100 Greatest Party Starters (CD1)
Genre: Hip Hop/R&B, New Wave, World Music, Latin, Disco, Synth Pop, Alternative, Funk
Title: 100 Greatest Chillout: Songs For Relaxing 2019 (CD2)
Genre: Hip Hop/R&B, Pop
Title: 100 Greatest 00s: The Best Songs From The Decade (CD2)
Genre: Pop
Title: 100 Greatest Pop Songs (CD1)
Genre: Pop
Title: 100 Greatest Workout Songs (CD1)
Genre: Pop
Title: 100 Greatest Summer Party 2019 (CD2)
Genre: Pop
Title: 100 Greatest Feel Good (CD1)
Title: 100 Greatest Happy Songs (CD1)
Genre: Hip Hop/R&B, Rock, Punk Rock, Pop
Title: Speed Is Not For Everyone
Title: Back To The 90s: Greatest Hits (CD2)
Genre: Hip Hop/R&B, Rock, Punk Rock, Pop, Alternative
Title: 100 Greatest BRIT Awards Winners 2020 (CD1)
Genre: Hip Hop/R&B, Rock, Punk Rock, Pop
Title: 100 Greatest Throwback Songs 2020 (CD1)
Genre: Garage, Hip Hop/R&B, Post Grunge, Disco, Pop, Alternative
Title: 100 Greatest Workout Songs: Top Tracks For The Gym (CD1)
Genre: Pop
Title: 90s Rock Anthems
Title: The Best World Rock Hits 2019 (CD1)
Genre: Metal
Title: Best Rock Of All Time (CD1)
Genre: Rock, Punk, Punk Rock, Alternative
Title: 00s Summer Songs
Genre: Post Disco, Hip Hop/R&B, Rap, Jazz, Reggae Fusion, Disco, Synth Pop, Alternative, Indie, Classical
Title: Rock Your Day 2020 (CD1)
Genre: Rock, Punk Rock, Alternative
Title: Home Sweet Rock 2020 (CD2)
Title: Pluto Loves You 2020
Genre: Rock, Punk Rock, Alternative
Title: 90s Throwback
Genre: Garage, Hip Hop/R&B, Post Grunge, Power Pop, Reggae, Roots Reggae, Dancehall, Alternative
Title: Best Of The 90s (CD2)
Genre: Eurodance, Hip Hop/R&B, Jazz, Post Grunge, Reggae, Pop, Alternative
Title: Summer Throwback: Oldies And Chart Classics
Genre: Garage, Post Disco, Goa Trance, Rock, New Wave, Disco, Progressive, Indie
Featuring albums
Title: Insane Wicked Sureños / Insane Wicked Surenos
Artist: Sweepy G
Genre: Hip Hop/R&B, Rap, Latin
Title: The World's End (Original Motion Picture Soundtrack)
Artist: Various Artists
Genre: Theatre/Soundtrack
Title: Radio Soulwax Live - Get Yer Yo Yo's Out!
Artist: 2 Many DJ's
Genre: Electronica, Rock, DJ/Remixes
Title: Trainspotting (Original Motion Picture Soundtrack)
Artist: Various Artists
Genre: Theatre/Soundtrack
Title: Its The 90s
Artist: Woo-Hoo
Genre: Rock, Punk, Reggae Fusion, Disco, Pop, Synth Pop, Alternative, Indie
Title: Mastermix DJ Beats Indie & New Rock Collection 1
Artist: DJ Beats