|
No. |
Title |
Length |
| 1. |
Rusalka, Act 1: Song to the Moon (featuring Stefan Soltesz, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
5:57 |
| 2. |
Prodaná Nevesta (The Bartered Bride): Kdybych se co takového (Should I ever happen to learn) (Act 1) (featuring Stefan Soltesz, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
3:54 |
| 3. |
Dalibor: Jak je mi? ( How confused I feel!) (Act 2) (featuring Stefan Soltesz, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
2:31 |
| 4. |
Peer Gynt, Incidental Music, Op. 23: Solveig's Song (featuring Neville Marriner, The Academy Of St. Martin In The Fields) |
5:48 |
| 5. |
Peer Gynt, Incidental Music, Op. 23: Solveig's Cradle Song (featuring Neville Marriner, John McCarthy, The Ambrosian Singers, The Academy Of St. Martin In The Fields) |
4:56 |
| 6. |
Carmina Burana (2001 Remastered Version): Amor volat undique (featuring The New Philharmonia Chorus, New Philharmonia Orchestra, Wandsworth School Boys' Choir, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos) |
3:21 |
| 7. |
Carmina Burana (2001 Remastered Version): Stetit puella (featuring The New Philharmonia Chorus, New Philharmonia Orchestra, Wandsworth School Boys' Choir, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos) |
2:06 |
| 8. |
Carmina Burana (2001 Remastered Version): In trutina (featuring The New Philharmonia Chorus, New Philharmonia Orchestra, Wandsworth School Boys' Choir, Rafael Frühbeck De Burgos / Rafael Fruhbeck De Burgos) |
2:13 |
| 9. |
Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): I. Frühling (Hesse) (featuring The London Philharmonic Orchestra, Klaus Tennstedt) |
3:50 |
| 10. |
Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): II. September (Hesse) (featuring The London Philharmonic Orchestra, Klaus Tennstedt) |
5:16 |
| 11. |
Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): III. Beim Schlafengehen (Hesse) (featuring The London Philharmonic Orchestra, Klaus Tennstedt) |
6:20 |
| 12. |
Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): IV. Im Abendrot (Eichendorff) (featuring The London Philharmonic Orchestra, Klaus Tennstedt) |
8:25 |
| 13. |
Symphony No. 4 in G: IV. Sehr behaglich [with soprano solo] (featuring The London Philharmonic Orchestra, Klaus Tennstedt) |
9:12 |
| 14. |
Eugene Onegin: Pooskai pogibnoo ya (Tatiana's letter scene) (Act 1) (featuring Stefan Soltesz, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
12:05 |
| 15. |
Serse HWVV40 (1967 Remastered Version): Un cenno leggiadretto (Act 1) (featuring English Chamber Orchestra, György Fischer / Gyorgy Fischer) |
3:50 |
| 16. |
Rodelinda HWV19 (1988 Remastered Version): Hò perduto il caro sposo (Act I) (featuring English Chamber Orchestra, György Fischer / Gyorgy Fischer) |
4:58 |
| 17. |
Joshua HWV64 (1988 Remastered Version): O had I Jubal's lyre (featuring English Chamber Orchestra, György Fischer / Gyorgy Fischer) |
2:53 |
| 18. |
Vesperae solennes de confessore in C, 'Solemn Vespers' K339 (1988 Remastered Version): Laudate Dominum (featuring English Chamber Orchestra, The Ambrosian Singers, György Fischer / Gyorgy Fischer) |
5:17 |
| 19. |
Die Entführung aus dem Serail K384, ACT 2: Welche Wonne, welche Lust (Blonde) (featuring Wiener Philharmoniker, Josef Krips) |
2:34 |
| 20. |
Le nozze di Figaro, Act II: Aria: Porgi amor (featuring Leonard Slatkin, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
3:50 |
| 21. |
Le Nozze di Figaro K492: Voi che sapete (featuring Leonard Slatkin, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
2:49 |
| 22. |
Le Nozze di Figaro K492: Giunse alfin il momento (featuring Leonard Slatkin, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
4:55 |
| 23. |
Don Giovanni: Crudele?...Non mir dir (featuring Leonard Slatkin, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
6:37 |
| 24. |
Così fan tutte K588: Come scoglio (featuring Leonard Slatkin, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
4:33 |
| 25. |
Così fan tutte K588 (1991 Remastered Version), ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIÈME ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 19 Aria: Una donna a quindici anni (Despina) (featuring Otto Klemperer, New Philharmonia Orchestra) |
4:12 |
| 26. |
Die Zauberflöte, K.620 '(The) Magic Flute' (2000 Remastered Version), Act II: Arie: Der Hölle Rache kocht in meinem Herzen (Königin) (featuring Otto Klemperer, Philharmonia Orchestra) |
3:15 |
| 27. |
Die Zauberflöte K620, Act II: Ach, ich fühl's, es ist entschwunden (Pamina) (featuring Bernard Haitink, Bavarian Radio Symphony Orchestra) |
4:16 |
| 28. |
Petite messe solennelle: Crucifixus (featuring David Briggs, Stephen Cleobury, Katia Labeque, Marielle Labeque) |
3:06 |
| 29. |
Die Forelle D550 (featuring Irwin Gage) |
2:14 |
| 30. |
Gretchen am Spinnrade D118 (featuring Irwin Gage) |
3:43 |
| 31. |
An Silvia D891 (featuring Irwin Gage) |
2:54 |
| 32. |
Acht Lieder aus Letzte Blätter Op. 10: Zueignung (featuring Wolfgang Sawallisch) |
1:46 |
| 33. |
Die Lustige Witwe (Léon & Stein): Es lebt eine Vilja, ein Waldmägdelein (Vilja-Lied: Act 2) (featuring Neville Marriner, Ambrosian Opera Chorus, The Academy Of St. Martin In The Fields) |
5:48 |
| 34. |
Die Fledermaus, Act II: Klänge der Heimat! (Rosalinde) (featuring Plácido Domingo / Placido Domingo, Münchner Rundfunkorchester / Munchner Rundfunkorchester) |
4:30 |
