|
No. |
Title |
Length |
| 1. |
Chôro no. 1, "Chôro típico" (Dakko Petrinjak) |
4:13 |
| 2. |
Bachianas Brasileiras No. 5 for Soprano and Eight Cellos (1945): I. Aria (Cantilena): Adagio (Donna Brown, Sao Paulo Symphony Orchestra, Roberto Minczuk) |
6:33 |
| 3. |
Bachianas Brasileiras No. 5 for Soprano and Eight Cellos (1945): II. Dansa (Martelo): Allegretto (Donna Brown, Sao Paulo Symphony Orchestra, Roberto Minczuk) |
4:44 |
| 4. |
Suite populaire brésilienne: I. Mazurka-Chôro (Diego Blanco) |
3:08 |
| 5. |
Suite populaire brésilienne: II. Schottish-Chôro (Diego Blanco) |
4:17 |
| 6. |
Suite populaire brésilienne: III. Valsa-Chôro (Diego Blanco) |
4:07 |
| 7. |
Suite populaire brésilienne: IV. Gavotta-Chôro (Diego Blanco) |
6:14 |
| 8. |
Suite populaire brésilienne: V. Chôrino (Diego Blanco) |
4:45 |
| 9. |
Concerto for Guitar and Orchestra, A. 501, "Fantasia Concertante" (George Perry, Manuel Morales) |
19:38 |
| 10. |
Twelve Études (1929): Allegro non troppo (Anders Miolin) |
2:25 |
| 11. |
Twelve Études (1929): Allegro (Anders Miolin) |
1:48 |
| 12. |
Twelve Études (1929): Allegro moderato (Anders Miolin) |
1:41 |
| 13. |
Twelve Études (1929): Andante (Anders Miolin) |
3:48 |
| 14. |
Twelve Études (1929): Andantino (Anders Miolin) |
3:18 |
| 15. |
Twelve Études (1929): Poco allegro (Anders Miolin) |
2:07 |
| 16. |
Twelve Études (1929): Très animé (Anders Miolin) |
2:44 |
| 17. |
Twelve Études (1929): Modéré (Anders Miolin) |
2:57 |
| 18. |
Twelve Études (1929): Très peu animé (Anders Miolin) |
3:11 |
| 19. |
Twelve Études (1929): Très animé (Anders Miolin) |
3:44 |
| 20. |
Twelve Études (1929): Lent (Anders Miolin) |
4:10 |
| 21. |
Twelve Études (1929): Animé (Anders Miolin) |
2:53 |
| 22. |
Quinteto Instrumental for Flute, String Trio and Harp, Op. Posthum: I. Allegro non troppo (Linos Harfenquintett) |
3:52 |
| 23. |
Quinteto Instrumental for Flute, String Trio and Harp, Op. Posthum: II. Lento (Linos Harfenquintett) |
7:08 |
| 24. |
Quinteto Instrumental for Flute, String Trio and Harp, Op. Posthum: III. Allegro poco moderato (Linos Harfenquintett) |
5:14 |
| 25. |
Heitor Villa-Lobos: Dança Frenética: (Roberto Minczuk) |
5:42 |
| 26. |
Five Preludes for Solo Guitar, W 419: Prelude No. 1 in E Minor: Andantino espressivo (Sonja Prunnbauer) |
5:10 |
| 27. |
Five Preludes for Solo Guitar, W 419: Prelude No. 2 in E Major: Andantino espressivo (Sonja Prunnbauer) |
3:29 |
| 28. |
Five Preludes for Solo Guitar, W 419: Prelude No. 3 in A Minor: Andante (Sonja Prunnbauer) |
6:10 |
| 29. |
Five Preludes for Solo Guitar, W 419: Prelude No. 4 in E Minor: Lento (Sonja Prunnbauer) |
3:06 |
| 30. |
Five Preludes for Solo Guitar, W 419: Prelude No. 5 in D Major: Poco animato (Sonja Prunnbauer) |
3:44 |
| 31. |
Bachianas Brasileiras No. 2 for Chamber Orchestra (1933): I. Preludio: Adagio (Sao Paulo Symphony Orchestra, Roberto Minczuk) |
7:08 |
| 32. |
Bachianas Brasileiras No. 2 for Chamber Orchestra (1933): II. Aria: Largo (Sao Paulo Symphony Orchestra, Roberto Minczuk) |
5:27 |
| 33. |
Bachianas Brasileiras No. 2 for Chamber Orchestra (1933): III. Dansa: Andantino moderato (Sao Paulo Symphony Orchestra, Roberto Minczuk) |
5:08 |
| 34. |
Choros No. 5, ‘Alma Brasileira’ for Piano (Cristina Ortiz) |
5:08 |
| 35. |
Trio for Oboe, Clarinet and Bassoon (1922): I. Animé (Saarland Radio Wind Trio) |
6:28 |
| 36. |
Trio for Oboe, Clarinet and Bassoon (1922): II. Longuidamente (Saarland Radio Wind Trio) |
7:02 |
| 37. |
Trio for Oboe, Clarinet and Bassoon (1922): III. Vivo (Saarland Radio Wind Trio) |
5:12 |
| 38. |
Bachianas Brasileiras No. 1 for Eight Cellos (1932): I. Introdução (Embolada): Animato (Sao Paulo Symphony Orchestra, Roberto Minczuk) |
6:31 |
| 39. |
Bachianas Brasileiras No. 1 for Eight Cellos (1932): II. Prelúdio (Modinha): Andante (Sao Paulo Symphony Orchestra, Roberto Minczuk) |
8:37 |
| 40. |
Bachianas Brasileiras No. 1 for Eight Cellos (1932): III. Fuga (Conversa): Un poco animato (Sao Paulo Symphony Orchestra, Roberto Minczuk) |
4:33 |
