Van Broussard
Download links and information about Van Broussard by Van Broussard. This album was released in 2009 and it belongs to Rock, Country, Pop, Songwriter/Lyricist, Contemporary Folk genres. It contains 20 tracks with total duration of 01:06:32 minutes.
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| Artist: | Van Broussard |
| Release date: | 2009 |
| Genre: | Rock, Country, Pop, Songwriter/Lyricist, Contemporary Folk |
| Tracks: | 20 |
| Duration: | 01:06:32 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Lord, I Need Somebody Bad | 3:29 |
| 2. | Kidnapper | 3:15 |
| 3. | Feed the Flame | 2:42 |
| 4. | Harlem Shuffle (featuring Van, Harvey) | 3:58 |
| 5. | I'm a Fool to Care | 2:39 |
| 6. | Night Owl (featuring Bobby Loveless) | 2:47 |
| 7. | Everyday Will Be Like a Holiday (featuring Harvey Monson) | 3:12 |
| 8. | She's Just Teasing You | 3:02 |
| 9. | Tell Me the Truth | 3:37 |
| 10. | Play That Funky Music (featuring Henry Broussard) | 4:58 |
| 11. | Please Come Home for Christmas | 2:43 |
| 12. | Hey Pockey A-way (featuring Paul Breaux) | 3:58 |
| 13. | Sweet Dreams | 3:34 |
| 14. | Ooh Poo Pah Doo | 2:46 |
| 15. | Pledging My Love (featuring The Grace, Van) | 2:53 |
| 16. | Tell Me What You Want Me to Do | 4:37 |
| 17. | Tonight's the Night | 3:28 |
| 18. | Go On and Yak-yak | 2:49 |
| 19. | Blues Stay Away from Me (featuring The Grace, Van) | 2:56 |
| 20. | Jailbird | 3:09 |
Details
[Edit]Singer and songwriter Marc Broussard's self-titled fourth album — and his second for Atlantic — moves away from his back-to-basics approach with 2008's Keep Coming Back. He and Atlantic decided to up the ante commercially here. They enlisted producer Jamie Kenney (who co-wrote and arranged the album's songs, played keyboards, and basically ran things; he is primarily known as a Contemporary Christian music producer). He understood (as did Broussard) the label's plan to launch its artist as a pop crossover talent. The album's first single, the pre-release "Only Everything," with its 21st century clash of programmed synthesizers and loops, compressed drums, and ghostly traces of old-school soul, did very well at Hot AC stations across the country. It's also indicative of the way the entire album sounds.