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The Inessential Uncle Bonsai (Live)

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Download links and information about The Inessential Uncle Bonsai (Live) by Uncle Bonsai. This album was released in 1992 and it belongs to Songwriter/Lyricist, Contemporary Folk genres. It contains 20 tracks with total duration of 01:11:40 minutes.

Artist: Uncle Bonsai
Release date: 1992
Genre: Songwriter/Lyricist, Contemporary Folk
Tracks: 20
Duration: 01:11:40
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Tracks

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No. Title Length
1. Send My Body Home 3:23
2. Isaac's Lament 4:00
3. In It for the Children 3:21
4. Suzy 2:29
5. I Want a Man 1:09
6. Fat Boys 4:05
7. One In a Million 5:51
8. Heartache 5:00
9. Johnny, It's Downhill from Here 3:44
10. Me Must Have Been a Genius 4:04
11. A Lonely Grain of Corn 3:21
12. Boys Want Sex In the Morning 3:28
13. Lois Lane 4:08
14. Silent Night 5:25
15. Enterprising Young Man 3:30
16. Billboard Love 2:59
17. Cheerleaders On Drugs 2:58
18. Penis Envy 4:20
19. Charlie and Me 4:09
20. Fat Boys (Reprise) 0:16

Details

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In his liner notes to this live compilation, Uncle Bonsai singer/songwriter/guitarist Andrew Ratshin says that the group "achieved some notoriety for songs like "Penis Envy" and "Fat Boys," but we liked to remind people of the balance between the serious and the humorous songs we were performing." That it was necessary to remind people, however, is some indication of the imbalance in quality between the two types of songs. The serious ones often had good points to make, such as the description of the frustrations of domestic family life found in "In It for the Children." But Uncle Bonsai will be remembered for its quirky examinations of pop ephemera such as "Isaac's Lament," which concerns the suicide of a fan of Love Boat when the show was canceled, and comic comments on the foibles of relationships, such as "Boys Want Sex in the Morning." Since Ratshin sang in a high tenor or falsetto and was accompanied by two women, Arni Adler and Ashley Kristen, Uncle Bonsai always sounded like a female trio, and Ratshin was able to take advantage of that by writing songs from the female perspective. (Adler also contributed lyrics, notably "Cheerleaders on Drugs.") The results could be hilarious, if perhaps too outrageous for mainstream consumption, which may have been one reason why the group called it quits after three albums in 1989. This compilation repeats the best songs from those three, though, except in one case, not in the same versions as heard on those albums. All of the group's favorites are included, making this the ideal first purchase for folk fans with a sense of humor who may have missed Uncle Bonsai the first time around.