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The Bill Monroe Collection

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Download links and information about The Bill Monroe Collection by Tony Rice. This album was released in 2012 and it belongs to Country, Songwriter/Lyricist, Acoustic genres. It contains 14 tracks with total duration of 44:52 minutes.

Artist: Tony Rice
Release date: 2012
Genre: Country, Songwriter/Lyricist, Acoustic
Tracks: 14
Duration: 44:52
Buy on iTunes $9.99
Buy on Amazon $9.49
Buy on Amazon $9.49
Buy on Songswave €1.26

Tracks

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No. Title Length
1. On My Way Back to the Old Home (featuring The Bluegrass Album Band) 2:30
2. When You Are Lonely (featuring The Bluegrass Album Band) 2:36
3. Jerusalem Ridge 6:33
4. Muleskinner Blues (feat. Sam Bush, Vassar Clements & Bela Fleck) 4:20
5. Sittin' Alone In the Moonlight (featuring The Bluegrass Album Band) 2:48
6. Stoney Lonesome 2:33
7. Molly & Tenbrooks (featuring The Bluegrass Album Band) 3:04
8. River of Death (featuring The Bluegrass Album Band) 2:21
9. Gold Rush 2:59
10. On and On 3:03
11. I Believe in You Darling (featuring The Bluegrass Album Band) 2:30
12. Cheyenne 3:29
13. Little Cabin Home On the Hill (featuring David Grisman) 3:22
14. You're Drifting Away (featuring The Rice Brothers) 2:44

Details

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Released in celebration the late, great Bill Monroe’s 100th birthday, this compilation brings together the best of Tony Rice’s interpretations of the bluegrass pioneer’s songs and instrumental pieces. The album reaches back over a 15-year span to include solo recordings by Rice, as well as tracks done with The Rice Brothers, David Grisman, and The Bluegrass Album Band (an ‘80s supergroup featuring such stellar players as J.D. Crowe and Norman Blake). Collectively, they capture Rice’s extraordinary fluency and imagination as a guitarist and the enduring strengths of Monroe as a composer. Versions of “I’m on My Way Back to the Old Home,” “River of Death,” and “You’re Drifting Away” invoke the aching nostalgia and deep-rooted faith of Appalachian music while adding something new. Jimmie Rodgers’ “Muleskinner Blues” (the only tune here not written by Monroe) is a particular gem, rendered with jaunty, virtuosic fire. Instrumentals like “Jerusalem Ridge” and “Stoney Lonesome” reaffirm Monroe’s crucial role in making bluegrass a vibrant contemporary genre.