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The Twilight Saga: Eclipse (Original Motion Picture Soundtrack)

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Download links and information about The Twilight Saga: Eclipse (Original Motion Picture Soundtrack). This album was released in 2010 and it belongs to Theatre/Soundtrack genres. It contains 15 tracks with total duration of 59:27 minutes.

Release date: 2010
Genre: Theatre/Soundtrack
Tracks: 15
Duration: 59:27
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Tracks

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No. Title Length
1. Eclipse (All Yours) (Metric) 3:45
2. Neutron Star Collision (Love Is Forever) (Muse) 3:50
3. Ours (Bravery, The) 3:47
4. Heavy In Your Arms (Florence The Machine) 4:44
5. My Love (Sia) 5:10
6. Atlas (Fanfarlo) 3:27
7. Chop and Change (The Black Keys) 2:25
8. Rolling In On a Burning Tire (The Dead Weather) 3:53
9. Let's Get Lost (Beck And Bat For Lashes) 4:10
10. Jonathan Low (Vampire Weekend) 3:32
11. With You In My Head (feat. The Black Angels) (Unkle) 4:43
12. A Million Miles an Hour (Eastern Conference Champions) 4:07
13. Life On Earth (Band Of Horses) 5:30
14. What Part of Forever (Cee-Lo Green) 3:57
15. Jacob's Theme (Howard Shore) 2:27

Details

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The Twilight Saga films have enlisted some of Hollywood’s most accomplished composers — Carter Burwell, Alexandre Desplat, and Howard Shore — to write music for the popular teenage vampire series. But the pop songs used in the movies, chosen by music supervisor Alexandra Patsavas, also play a key role, and The Twilight Saga: Eclipse is an impressive album. It opens with “Eclipse (All Yours),” by the Canadian band Metric and the track’s controlled drama and sense of vulnerability and romance is a perfect fit for the movie. Muse’s “Neutron Star Collision (Love Is Forever)” brings to mind the operatic intensity of Queen or Rufus Wainwright, and the Bravery does not shy away from histrionics on “Ours.” The Black Keys display their love of Southern-rooted sounds on the chugging “Chop and Change” while the Dead Weather, another band fond of blues and garage rock, turns in a moody, ‘70s-style track, “Rolling In On a Burning Tire.” Beck and Bat for Lashes’ “Let’s Get Lost” is a distinctive Goth-tinged production with hints of the dance floor. Howard Shore’s reflective solo piano piece, “Jacob’s Theme,” wraps things up.