|
No. |
Title |
Length |
| 1. |
Stranger In My Bed (The Power Of Seven) |
3:49 |
| 2. |
Dish Rag (Thelma Houston, Pressure Cooker) |
3:34 |
| 3. |
Dance of the Knights (Prokofiev, Sergei Sergeevich) |
2:09 |
| 4. |
Dirty Blue (Phil Woods, Adam Makowicz) |
3:41 |
| 5. |
Wishing Well (Michael Ruff) |
5:35 |
| 6. |
Dock of the Bay (Lincoln Mayorga) |
2:48 |
| 7. |
1 Khz Sinewave At -20 DBFS (Sheffield Lab) |
1:03 |
| 8. |
1 Khz Sinewave At 0 DBFS (Sheffield Lab) |
1:03 |
| 9. |
20 Hz One Octave Warble (Sheffield Lab) |
0:04 |
| 10. |
62 Hz One Octave Warble (Sheffield Lab) |
0:04 |
| 11. |
125 Hz One Octave Warble (Sheffield Lab) |
0:04 |
| 12. |
250 Hz One Octave Warble (Sheffield Lab) |
0:04 |
| 13. |
500 Hz One Octave Warble (Sheffield Lab) |
0:04 |
| 14. |
2.5 Khz One Octave Warble (Sheffield Lab) |
0:04 |
| 15. |
5 Khz One Octave Warble (Sheffield Lab) |
0:04 |
| 16. |
10 Khz One Octave Warble (Sheffield Lab) |
0:04 |
| 17. |
15 Khz One Octave Warble (Sheffield Lab) |
0:04 |
| 18. |
19 Khz One Octave Warble (Sheffield Lab) |
0:06 |
| 19. |
Person Counting from 1 to 25 (Sheffield Lab) |
0:43 |
| 20. |
Right Channel Identification (Sheffield Lab) |
0:05 |
| 21. |
Left Channel Identification (Sheffield Lab) |
0:06 |
| 22. |
Relative Polarity Between Left & Right Channels (Sheffield Lab) |
0:13 |
| 23. |
Polarity Pulses (Sheffield Lab) |
0:58 |
| 24. |
1 Khz Sinewave With Bottom Half Clipped (Sheffield Lab) |
1:03 |
| 25. |
3 People Describing Position On Sound Stage In Stereo (Sheffield Lab) |
0:32 |
| 26. |
Same As Except Talking Simultaneously (Sheffield Lab) |
0:14 |
| 27. |
Music for Evaluating Accuracy and Focus of Sound Stage In St (Sheffield Lab) |
0:11 |
| 28. |
Same As Except In Mono (L + R) (Sheffield Lab) |
0:10 |
| 29. |
Same As Except Sent to Left Channel Only (Sheffield Lab) |
0:09 |
| 30. |
Same As Center (Sheffield Lab) |
0:10 |
| 31. |
Same As Except Sent to Right Channel Only (Sheffield Lab) |
0:09 |
| 32. |
Same As Center (Sheffield Lab) |
0:17 |
| 33. |
Music Recorded With Normal Transfer Level of 0 DB (Sheffield Lab) |
0:45 |
| 34. |
Music Recorded With Transfer Level of -10 DB (Sheffield Lab) |
0:45 |
| 35. |
Music Recorded With Transfer Level of -20 DB (Sheffield Lab) |
0:45 |
| 36. |
Music Recorded With Transfer Level of -30 DB (Sheffield Lab) |
0:45 |
| 37. |
Music Recorded With Transfer Level of -40 DB (Sheffield Lab) |
0:45 |
| 38. |
Music Recorded With Transfer Level of -50 DB (Sheffield Lab) |
0:45 |
| 39. |
Music Recorded With Transfer Level of -60 DB (Sheffield Lab) |
0:45 |
| 40. |
Music Recorded With Transfer Level of -70 DB (Sheffield Lab) |
0:42 |
| 41. |
Recording of Digital Black or 0 Bits (Sheffield Lab) |
1:00 |
| 42. |
High Frequency Low Level Alternating Between 0000 & FFFF (Sheffield Lab) |
0:35 |
| 43. |
Correlated Pink Noise 20 Hz to 20 Khz (Sheffield Lab) |
1:03 |
| 44. |
Uncorrelated Pink Noise 20 Hz to 20 Khz (Sheffield Lab) |
2:01 |
| 45. |
Pink Noise Raised In 1 Db Steps Every 3 Seconds (Sheffield Lab) |
0:23 |
| 46. |
Pink Noise Raised In 3 Db Steps 4 Times (Sheffield Lab) |
0:15 |
| 47. |
1-3 Octave Pink Noise At 25 - 31.5 - 40 Hz (Sheffield Lab) |
0:31 |
| 48. |
1-3 Octave Pink Noise At 50 - 63 - 80 Hz (Sheffield Lab) |
0:29 |
| 49. |
1-3 Octave Pink Noise At 100 - 125 - 160 Hz (Sheffield Lab) |
0:29 |
| 50. |
1-3 Octave Pink Noise At 200 - 250 - 315 Hz (Sheffield Lab) |
0:30 |
| 51. |
1-3 Octave Pink Noise At 400 - 500 - 630 Hz (Sheffield Lab) |
0:29 |
| 52. |
1-3 Octave Pink Noise At 800 Hz - 1 - 1.2 Khz (Sheffield Lab) |
0:30 |
| 53. |
1-3 Octave Pink Noise At 1.6 - 2 - 2.5 Khz (Sheffield Lab) |
0:29 |
| 54. |
1-3 Octave Pink Noise At 3.15 - 4 - 5 Khz (Sheffield Lab) |
0:30 |
| 55. |
1-3 Octave Pink Noise At 6.3 - 8 - 10 Khz (Sheffield Lab) |
0:29 |
| 56. |
1-3 Octave Pink Noise At 12.5 - 16 - 20 Khz (Sheffield Lab) |
0:32 |
| 57. |
20 Hz to 20 Khz Continuous Warble (Sheffield Lab) |
0:37 |
| 58. |
100 Hz to 20 Hz Warble for Subwoofer Evaluation (Sheffield Lab) |
0:40 |
| 59. |
Individual Frequencies from 10 Hz to 99 Hz (Sheffield Lab) |
7:33 |
| 60. |
Flat Low Distortion Sweep from 20 - 200 Hz (Sheffield Lab) |
0:24 |
| 61. |
Flat Low Distortion Sweep from 200 Hz - 2 Khz (Sheffield Lab) |
0:16 |
| 62. |
Flat Low Distortion Sweep from 2 - 20 Khz (Sheffield Lab) |
0:19 |
| 63. |
Contains the Musical Note a (440 Hz) (Sheffield Lab) |
0:33 |
| 64. |
100 Hz Tone Burst With Duty Cycle of 25% (Sheffield Lab) |
1:04 |
| 65. |
Same As Except At 1 Khz (Sheffield Lab) |
1:04 |
| 66. |
Same As Except At 10 Khz (Sheffield Lab) |
1:04 |
| 67. |
100 Hz Square Wave (Sheffield Lab) |
0:33 |
| 68. |
Same As Except At 1 Khz (Sheffield Lab) |
0:33 |
| 69. |
Full Dynamics of the Original Recording (Sheffield Lab) |
1:03 |
| 70. |
Compressed Version of With Same Peak Level (Sheffield Lab) |
1:03 |
| 71. |
Tone With 0.03% Distortion (Sheffield Lab) |
0:13 |
| 72. |
Same As 71, Except With 0.1% Distortion (Sheffield Lab) |
0:13 |
| 73. |
Same As 71, Except With 0.3% Distortion (Sheffield Lab) |
0:13 |
| 74. |
Same As 71, Except With 1% Distortion (Sheffield Lab) |
0:13 |
| 75. |
Same As 71, Except With 3% Distortion (Sheffield Lab) |
0:13 |
| 76. |
Same As 71, Except With 10% Distortion (Sheffield Lab) |
0:13 |
| 77. |
Music With Distortion of About 0.03% (Sheffield Lab) |
0:33 |
| 78. |
Same As 77, Except With 0.1% Distortion (Sheffield Lab) |
0:33 |
| 79. |
Same As 77, Except With 0.3% Distortion (Sheffield Lab) |
0:33 |
| 80. |
Same As 77, Except With 1% Distortion (Sheffield Lab) |
0:33 |
| 81. |
Same As 77, Except With 3% Distortion (Sheffield Lab) |
0:33 |
| 82. |
Same As 77, Except With 10% Distortion (Sheffield Lab) |
0:33 |
| 83. |
Musical Selection With No Added Delay (Sheffield Lab) |
1:44 |
| 84. |
Same As 84 With 7 Ms of Group Delay Below 100 Hz (Sheffield Lab) |
1:44 |
| 85. |
Standing Between Penske's Pits and Main Straightaway (Sheffield Lab) |
0:38 |
| 86. |
Short Walk Down Pit Row of Race Car (Sheffield Lab) |
2:31 |
