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Joujouka Black Eyes

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Download links and information about Joujouka Black Eyes by The Master Musicians Of Jajouka. This album was released in 1995 and it belongs to World Music genres. It contains 16 tracks with total duration of 01:09:42 minutes.

Artist: The Master Musicians Of Jajouka
Release date: 1995
Genre: World Music
Tracks: 16
Duration: 01:09:42
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Tracks

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No. Title Length
1. My Brother and My Love 2:39
2. Joujouka Black Eyes 5:17
3. Pull Up Your Belt and Dance 2:38
4. The Clapping 4:58
5. Brahim Jones Joujouka Very Stoned 3:00
6. Mohamed My Prophet 4:09
7. Make Me Happy, My Love 2:14
8. The Clapping/God Is High/God Is My Mother 13:03
9. Saudia, Girl of the Mountain 2:41
10. Go, God Must Bless You 6:52
11. A Wedding In Joujouka, October 1994 0:42
12. It's Hard to Leave Someone 5:19
13. Leaving Makes You Sad/Your Eyes Make Me Want to Drink Tea 6:07
14. Come Back Home My Darling 2:50
15. Joujouka (Ice) Between the Mountains 3:41
16. My Country Abin Hassan 3:32

Details

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For the record, this is the Master Musicians of Joujouka ensemble not under the direction of Bachir Attar or produced by Bill Laswell. In the war waged between competing groups as to who is the true representative of this music, this is the group with a somewhat more basic and unpolished sound, much less geared toward Western, rock-oriented ears. Even so, the track titled "Brahim Jones Joujouka Very Stoned" is written in honor of the Rolling Stones guitarist who first brought this music to the attention of Western listeners. The music centers around hand drums, flutes, chanted vocals, and occasional double-reed instruments called riathas. Appropriate to its affiliation with a certain cave in the hills behind Joujouka, there is a kind of outdoors, open-air quality in the music; nothing of studio enhancement comes through. Instead, it's quite easy to imagine the players relaxing in the yard after dinner, spinning these trance-like melodies in a leisurely atmosphere for the enjoyment of friends and families. The contrast between the earthy drum rhythms and the delicate filigree of the flute work, sounding like some avian fantasy, is luscious. Listeners who only know this genre through recordings like Apocalypse Across the Sky owe it to themselves to hear Joujouka's flip side, the one without one ear tilted toward the world music market.