Create account Log in

The Chieftains Collection Volume One (The Very Best Of The Claddagh Years)

[Edit]

Download links and information about The Chieftains Collection Volume One (The Very Best Of The Claddagh Years) by The Chieftains. This album was released in 1999 and it belongs to World Music, Songwriter/Lyricist, Instrumental, Celtic genres. It contains 15 tracks with total duration of 54:51 minutes.

Artist: The Chieftains
Release date: 1999
Genre: World Music, Songwriter/Lyricist, Instrumental, Celtic
Tracks: 15
Duration: 54:51
Buy on iTunes $9.99

Tracks

[Edit]
No. Title Length
1. The March Of The King Of Laois Or Ruairí Óg Ó Mordha 3:03
2. The Musical Priest; The Queen Of May 3:39
3. An Páistín Fionn; Mrs. Crotty's Reel; The Mountain Top 4:12
4. Three Kerry Polkas 2:54
5. Tabhair Domh Do Lámh 2:39
6. Strike The Gay Harp; Tiarna Maigheó; The Lady On The Island; The Sailor On The Rock 6:23
7. The Morning Dew 3:31
8. The Foxhunt 5:13
9. Bean An Fhir Rua 2:51
10. John Kelly's Slide; Merrily Kiss The Quaker; Denis Murphy's Slide 3:26
11. Mná Na hÉireann 3:31
12. The Walls Of Liscarroll 2:43
13. Sonny's Mazurka; Tommy Hunt's Jig 3:12
14. Samhradh, Samhradh 4:07
15. Seóirse Brabston 3:27

Details

[Edit]

Before they signed to Columbia and became an international sensation (and long before they ever recorded a concert album in China or collaborated with Tom Jones or Luciano Pavarotti), the Chieftains recorded several albums for Ireland's respected Claddagh label. The Chieftains Collection: The Very Best of the Claddagh Years features 12 tracks from that period, and although the material is more strictly traditional and the playing a bit more conservative than it has become since, the group's taste for intricate arrangements is already apparent. Never satisfied to simply bash straight through a set of two or three reels in unison, on tunes like "Tadhair Dom do Lamh" and "The Walls of Liscarroll" they essentially take turns soloing or playing in twos and threes before finishing up in exuberant ensemble. These were the days before Matt Molloy, so the flute playing was somewhat more restrained than it is now, and Peadar Mercier's bodhran is a bit ponderous. But for the most part the playing is exciting and expert and the recorded sound is very good. The only complaint might be with the disc's length — surely the band's first five albums could have yielded more than 40 minutes of worthwhile material.