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More Hits By the Supremes (Expanded Edition)

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Download links and information about More Hits By the Supremes (Expanded Edition) by Supremes. This album was released in 1965 and it belongs to Hip Hop/R&B, Soul, Rock, Pop, Teen Pop genres. It contains 52 tracks with total duration of 02:35:39 minutes.

Artist: Supremes
Release date: 1965
Genre: Hip Hop/R&B, Soul, Rock, Pop, Teen Pop
Tracks: 52
Duration: 02:35:39
Buy on iTunes $24.99

Tracks

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No. Title Length
1. Ask Any Girl (Mono) 2:51
2. Nothing But Heartaches (Single Version) [Mono] 2:44
3. Mother Dear (Mono) (featuring Diana Ross) 2:43
4. Stop! In the Name of Love (Single Version) [Mono] 2:52
5. Honey Boy (Mono) (featuring Diana Ross) 2:38
6. Back In My Arms Again (Single Version) [Mono] 2:56
7. Whisper You Love Me Boy (Mono) 2:40
8. The Only Time I'm Happy (Mono) (featuring Diana Ross) 2:31
9. He Holds His Own (Single Version) [Mono] 2:31
10. Who Could Ever Doubt My Love (Mono) (featuring Diana Ross) 2:37
11. (I'm So Glad) Heartaches Don't Last Always (Mono) (featuring Diana Ross) 2:57
12. I'm In Love Again (Mono) (featuring Diana Ross) 2:20
13. Ask Any Girl (Stereo) 2:46
14. Nothing But Heartaches (Juke Box Single Version (Stereo)) 2:58
15. Mother Dear (Stereo) (featuring Diana Ross) 2:44
16. Stop! In the Name of Love (Stereo) 2:52
17. Honey Boy (Stereo) (featuring Diana Ross) 2:34
18. Back In My Arms Again (Single Version) [Stereo] 2:54
19. Whisper You Love Me Boy (Stereo) (featuring Diana Ross) 2:36
20. The Only Time I'm Happy 2:31
21. He Holds His Own (Stereo) 2:30
22. Who Could Ever Doubt My Love (Stereo) (featuring Diana Ross) 2:41
23. (I'm So Glad) Heartaches Don't Last Always [Stereo] (featuring Diana Ross) 2:57
24. I'm In Love Again (Stereo) (featuring Diana Ross) 2:17
25. Coca-Cola Commercials (Stereo Mixes) 4:54
26. Supremes Interview (Alternate Version) 7:43
27. Baby Love (Live At The Fox) 2:55
28. Where Did Our Love Go (Live At The Fox) 3:08
29. Come See About Me (Live At The Fox) 2:53
30. Come Into My Palace (2011 Version) 2:32
31. Oowee Baby (2011 Version) 2:59
32. Surfer Boy (2011 Version) 2:54
33. Beach Ball (2011 Version) 2:59
34. Stop! In the Name of Love (Version 1) 3:19
35. Take Me Where You Go (Version 1 Without Strings) 2:54
36. Back In My Arms Again (Alternate Vocal) 3:18
37. Too Hurt to Cry, Too In Love to Say Goodbye (2011 Version) 2:50
38. Whisper You Love Me Boy (Alternate Vocal) (featuring Diana Ross) 3:08
39. Nothing But Heartaches (Alternate Vocal) 3:34
40. It's All Your Fault (Version 2) 3:00
41. Mother Dear (Version 2) (featuring Diana Ross) 3:02
42. Too Much a Little Too Soon (2011 Version) (featuring Diana Ross) 3:18
43. He Holds His Own (Alternate Vocal) 2:50
44. Moonlight and Kisses (German Version) 2:47
45. Baby, Baby, Wo Ist Unsere Liebe (Where Did Our Love Go) [German Version] 2:32
46. Thank You Darlin, Thank You Baby (German Version) 2:49
47. Jonny und Joe (Come See About Me) [German Version] 2:43
48. Stop! In the Name of Love (Live In Paris) 2:58
49. Baby Love (Live In Paris) 3:04
50. Somewhere (Live In Paris) 2:54
51. You're Nobody 'Til Somebody Loves You (Live In Paris) 3:39
52. Shake (Live In Paris) 3:23

Details

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Its title might lead one to think this was a compilation, but it wasn't — rather, More Hits by the Supremes is merely a valid presumption of its worth. It was also the original group's third highest charting album of their five years on Motown, and came not a moment too soon. The Supremes were doing incredibly well as a singles act, but not since Where Did Our Love Go had any of their LPs done particularly well on the pop charts; even a well-intentioned Sam Cooke-tribute album recorded early in 1965, which ought to have done better, had only reached number 75 (though it had gotten to number five on the R&B LP charts). "Stop! In the Name of Love" and "Back in My Arms Again" helped drive the sales, but those singles had been out six and three months earlier at the time this album surfaced — listeners were delighted to find those singles surrounded by their ethereal rendition of the ballad "Whisper You Love Me Boy" with its exquisitely harmonized middle chorus; the gently soulful, sing-song-y "The Only Time I'm Happy"; and the sweetly dramatic "He Holds His Own" (with a gorgeous and very prominent piano accompaniment). The material dated across six months of work, from late 1964 through the spring of 1965 (apart from "Ask Any Girl," the B-side of "Baby Love," which was cut in the spring of 1964), and showed that Motown could put a Supremes album together piecemeal around the Holland-Dozier-Holland songwriting team and place the trio right up at the top reaches of the charts, in the company of the Beatles, the Rolling Stones, et al. Its release also opened a floodgate of killer albums by the trio — overlooking their 1965 LP of Christmas songs, they were destined to issue three more long-players that delighted audiences a dozen songs at a time over the next two years, which was a lot of good work.