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The Steve Haines Quintet: Beginner's Mind

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Download links and information about The Steve Haines Quintet: Beginner's Mind by Steve Haines. This album was released in 2003 and it belongs to Jazz, Contemporary Jazz genres. It contains 10 tracks with total duration of 01:08:03 minutes.

Artist: Steve Haines
Release date: 2003
Genre: Jazz, Contemporary Jazz
Tracks: 10
Duration: 01:08:03
Buy on iTunes $9.90
Buy on Amazon $8.99

Tracks

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No. Title Length
1. The North Shore (featuring Steve Haines Quintet) 5:58
2. Sometimes I Feel Like a Motherless Child (featuring Steve Haines Quintet) 6:41
3. Colorado (featuring Steve Haines Quintet) 7:17
4. Stronger Than Dirt (featuring Steve Haines Quintet) 6:43
5. End of a Love Story (featuring Steve Haines Quintet) 8:21
6. Shoshin (featuring Steve Haines Quintet) 7:54
7. Everybody Loves Ruby (featuring Steve Haines Quintet) 5:51
8. As Stacey Sleeps (featuring Steve Haines Quintet) 8:46
9. Good Morning Heartache (featuring Steve Haines Quintet) 7:26
10. Spring Is Here (featuring Steve Haines Quintet) 3:06

Details

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Bassist Steve Haines is a well-kept secret — or at least he had been up until the release of Beginner's Mind. Haines had been a session man for over a decade, and this is his debut. Recording with a fine group of peers in tenor saxophonist David Lown, Chip Crawford on piano, Rob Smith on trumpet, and drummer Tom Taylor, Haines weaves together a fairly magical set of originals and interpretations of standards. Haine's crew is sprightly in approach, whether they are exploring modalism as they do on "The North Shore," or an old gospel tune such as on Tim Young's arrangement of "Sometimes I Feel Like a Motherless Child," on which Crawford plays contrapuntal chord patterns on both hands and Haines punches the time out to keep it all mirroring back to Taylor. By the time the horns enter, the tune has become a full-on near-bop blues. "Shoshin," with its Bill Evans-like harmonic explorations of Eastern line and scale, is remarkable in its quiet intensity, and a cover of "Spring Is Here" sets the entire record off in a gauzy yet affirmative dreamscape, with the piano and bass strolling ever so slowly around one another to check not only pace and sonance, but also to check sense impression. It's a gorgeous little album that will endear anyone who hears it to Haines.