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Together At the Bluebird Café / Together At the Bluebird Cafe

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Download links and information about Together At the Bluebird Café / Together At the Bluebird Cafe by Townes Van Zandt, Steve Earle, Guy Clark. This album was released in 2001 and it belongs to Rock, Country, Alternative Country genres. It contains 20 tracks with total duration of 01:08:53 minutes.

Artist: Townes Van Zandt, Steve Earle, Guy Clark
Release date: 2001
Genre: Rock, Country, Alternative Country
Tracks: 20
Duration: 01:08:53
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Tracks

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No. Title Length
1. Baby Took a Limo to Memphis 3:31
2. My Old Friend the Blues 3:03
3. Rap About Lullabies 1:44
4. Katie Belle 3:13
5. The Cape (featuring Susanna Clark) 3:29
6. Rap About Valentine's Day 1:03
7. Valentine's Day 3:10
8. Ain't Leavin' Your Love 2:55
9. Randall Knife 4:46
10. Tom Ames' Prayer 3:22
11. The Interfaith Dental Clinic 4:29
12. A Song For 3:29
13. Dublin Blues 4:29
14. I Ain't Ever Satisfied 4:00
15. Pancho and Lefty 5:22
16. Immigrant Eyes (featuring Roger Murrah) 4:08
17. Rap About Sirocco's 1:42
18. Mercenary Song 3:02
19. Tecumseh Valley 4:36
20. Copperhead Road 3:20

Details

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First, there is the surface content of this concert recording from September 13, 1995: three of the most talented and innovative songwriters in Texas history perform acoustically in the intimate haven of Nashville’s beloved Bluebird Café. Secondly, but perhaps more crucially, there is the subtext: Clark, Earle and Van Zandt share a fraternal history that eliminates the boundaries between friendship, collaboration, and songwriting craft. This recording gives the listener an opportunity to witness three old friends trade tunes with each other as if it were 1975 again, and they were hungry youngsters communing at Guy Clark’s kitchen table. The songs played are among the best these three giants ever wrote, but the between-song introductions are at least as important as the music. They give you some sense of the ragged warmth and deep respect these men had for each other, and each other’s art. It might not be the sharpest playing of their career (Van Zandt’s voice is haggard, and he would die little more than a year later), but it captures their art in a state of unparalleled emotional candor.