Once Upon a Dream

Stephen Riley's third CD as a leader for Steeplechase, like his earlier sessions for the label, is a pianoless affair, but the tenor saxophonist's sole musical partner is fellow Duke University jazz professor John Brown on bass. Although duos of tenor sax and bass are hardly a novelty, they aren't that common; Riley and Brown make the addition of other musicians unnecessary. The repertoire they chose for the recording included standards and a sprinkling of jazz compositions, almost all of which were written prior to 1960. Johnny Carisi's "Israel" has long been a favorite of jazz musicians and the duo's intricate interpretation proves that the lack of piano is no problem. Like Sonny Rollins, they find possibilities within Johnny Mercer's "I'm an Old Cowhand," though the only percussion is provided by Brown's playful taps on the body of his bass; Riley's humor comes through as he uses the full range of his horn and adds a few flutters without overdoing them. Riley's lush rendition of Duke Ellington's "In My Solitude" has the lyricism of Ben Webster, while Brown's arco bass provides a sublime background. Brown walks up a storm in Oscar Pettiford's "Swinging Till the Girls Come Home." Even old chestnuts like "Tea for Two" keep one's interest, due to the inventive approach of Riley and Brown. "Once Upon a Dream" was adapted from Tchaikovsky's ballet The Sleeping Beauty, and the duo's setting of this charming jazz waltz is full of lyricism. Both Stephen Riley and John Brown merit wider attention in the jazz press with this outstanding CD.