Man In a Deaf Corner: Anthology 1963-1970
Download links and information about Man In a Deaf Corner: Anthology 1963-1970 by Soft Machine. This album was released in 2001 and it belongs to Rock, Psychedelic genres. It contains 26 tracks with total duration of 02:07:53 minutes.
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| Artist: | Soft Machine |
| Release date: | 2001 |
| Genre: | Rock, Psychedelic |
| Tracks: | 26 |
| Duration: | 02:07:53 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Belsize Parked | 9:17 |
| 2. | Dear Olde Benny Green Is a-Turning In His Grave | 9:51 |
| 3. | Frenetica | 4:23 |
| 4. | Orientasian | 4:00 |
| 5. | Da-Da-Dee/Bolivar Blues | 11:49 |
| 6. | Man In a Deaf Corner | 5:02 |
| 7. | We Know What You Mean | 2:54 |
| 8. | I Should've Known | 7:40 |
| 9. | Hope for Happiness | 13:41 |
| 10. | Hulloder (Live At the Paradiso 1969) | 0:25 |
| 11. | Dada Was Here (Live At the Paradiso 1969) | 8:21 |
| 12. | Thank You Pierrot Lunaire (Live At the Paradiso 1969) | 0:45 |
| 13. | Have You Ever Been Green (Live At the Paradiso 1969) | 0:57 |
| 14. | Pataphysical Introduction, Pt. II (Live At the Paradiso 1969) | 1:00 |
| 15. | Hibou, Anemone and Bear (Live At the Paradiso 1969) | 4:18 |
| 16. | Pig (Live At the Paradiso 1969) | 4:21 |
| 17. | Orange Skin Food (Live At the Paradiso 1969) | 0:15 |
| 18. | A Door Opens and Closes (Live At the Paradiso 1969) | 1:17 |
| 19. | 10:30 Returns to the Bedroom (Live At the Paradiso 1969) | 10:50 |
| 20. | Facelift (Live In Europe 1970) | 5:03 |
| 21. | Moon In June (Live In Europe 1970) | 5:57 |
| 22. | Mousetrap (Live At the Fairfield Halls, Croydon On 26 April 1970) | 6:54 |
| 23. | Noisette (Live At the Fairfield Halls, Croydon On 26 April 1970) | 0:18 |
| 24. | Backwards (Live At the Fairfield Halls, Croydon On 26 April 1970) | 3:23 |
| 25. | Mousetrap (Reprise - Live At the Fairfield Halls, Croydon On 26 April 1970) | 0:14 |
| 26. | As Long As He Lies Perfectly Still | 4:58 |
Details
[Edit]The subtitle of this double-CD compilation might lead you to believe that this is a retrospective or best-of covering the band's finest era. That is not the case; in fact it's a ragtag quilt of live performances, including nothing from any of the studio recordings that the musicians made during this period. Disc one will be of most interest to hardcore Soft Machine collectors as it contains the rarest material. It kicks off with six tracks of free-jazz doodling that almost certainly predates the Soft Machine's official formation by a few years (only one cut, the live 1963 performance "Dear Olde Benny Green Is A-turning In His Grave," is given a date). Yet that same material is also by far the musically weakest on the set, presenting rather lo-fi, cacophonous, unstructured, vocal-less, somewhat amateurish outings by various combinations of players that passed through early Soft Machine lineups. Those players include Robert Wyatt (the only one to appear on all six songs), Mike Ratledge, Hugh Hopper, Brian Hopper, and Daevid Allen (who's only on "Dear Olde Benny Green Is A-turning In His Grave"); original Soft Machine member Kevin Ayers is not present on any of these six tracks. Disc one finishes with three 1967 tracks for which no dates or sources are given (these have also shown up on the Middle Earth bootleg); there are good performances on "We Know What You Mean" and "I Should've Known," sonic torture on the 13–minute "Hope for Happiness," and substandard fidelity to varying degrees on all three tunes. Disc two, with a few exceptions, boasts better sound quality, and features live performances from 1969-70, as well as an undated recording of "As Long As He Lies Perfectly Still" that is probably from the 1990s or early 2000s, and only has one noted Soft Machine member aboard (Hugh Hopper). The second CD is a decent representation of their live sound as they were moving into full-bore jazz fusion; with the plethora of live Soft Machine from this era that's already been issued, it's not all that easy to tell what might have been issued elsewhere without access to a ridiculously complete Soft Machine library.