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Non-Stop Erotic Cabaret (Deluxe Edition)

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Download links and information about Non-Stop Erotic Cabaret (Deluxe Edition) by Soft Cell. This album was released in 1981 and it belongs to Rock, New Wave, Dancefloor, Pop, Dance Pop, Alternative genres. It contains 29 tracks with total duration of 02:33:35 minutes.

Artist: Soft Cell
Release date: 1981
Genre: Rock, New Wave, Dancefloor, Pop, Dance Pop, Alternative
Tracks: 29
Duration: 02:33:35
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Tracks

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No. Title Length
1. Frustration 4:11
2. Tainted Love 2:33
3. Seedy Films 5:03
4. Youth 3:21
5. Sex Dwarf 5:09
6. Entertain Me 3:34
7. Chips On My Shoulder 4:06
8. Bedsitter 3:35
9. Secret Life 3:36
10. Say Hello, Wave Goodbye (7" Single Version) 5:24
11. Memorabilia (Non-Stop Ecstatic Dancing Version) 5:19
12. Where Did Our Love Go? (Non-Stop Ecstatic Dancing Version) 4:22
13. What? 4:31
14. A Man Could Get Lost (Non-Stop Ecstatic Dancing Version) 3:57
15. Chips On My Shoulder (NSED) 4:28
16. Sex Dwarf (Non-Stop Ecstatic Dancing Version) 5:09
17. Torch (7" Single Version) 4:08
18. A Man Could Get Lost (Single Edit) 3:18
19. Memorabilia (Extended) 7:45
20. Tainted Love / Where Did Our Love Go? (Extended) 9:02
21. Bedsitter (Extended) 7:52
22. Say Hello Wave Goodbye (12" Version) 8:53
23. Torch (Extended) 8:27
24. What? (Extended) 6:06
25. Persuasion 7:38
26. Facility Girls 2:21
27. Fun City 7:44
28. Insecure Me (Extended) 8:14
29. So 3:49

Details

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In the U.S., Soft Cell, the British duo of singer Marc Almond and instrumentalist David Ball, was a classic one-hit wonder, that hit being the remake of Gloria Jones' "Tainted Love," which dominated dance clubs and eventually peaked in the pop Top Ten with its synth-pop sound and Almond's plaintive vocal in 1981-1982. In the U.K., the group not only had a longer career, but also influenced a raft of similar performers. Non-Stop Erotic Cabaret, originally released in Britain in the fall of 1981, contained both the band's first hit and its follow-up, "Bedsitter," its title referring to what in America would be called a studio apartment. (A third U.K. Top Five hit, "Say Hello Wave Goodbye," emerged from the LP.) At full album length, lyricist Almond's primary preoccupation, only suggested in "Tainted Love," was spelled out; this was a theme album about aberrant sexuality, a tour of a red-light district. The point was well made on "Sex Dwarf," with its oft-repeated chorus "Isn't it nice/Sugar and spice/Luring disco dollies to a life of vice?" Songs like "Seedy Films," "Entertain Me," and "Secret Life" expanded upon the subject. The insistent beats taken at steady dance tempos and the chilling electronic sounds conjured by Ball emphasized Almond's fascination with deviance; it almost seemed as though the album had been designed to be played in topless bars. British listeners saw through Almond's pretense or were amused by him, or both; more puritanical Americans tended to disapprove, which probably limited the group's long-term success stateside. But the music was undeniably influential. The 2002 CD reissue added two lengthy 12" single mixes of "Tainted Love," one of them a medley with the old Supremes hit "Where Did Our Love Go," the other a dub version. [Mercury UK issued a Deluxe Edition in 2008.]