I'm Back! Family & Friends
Download links and information about I'm Back! Family & Friends by Sly Stone. This album was released in 2011 and it belongs to Hip Hop/R&B, Soul, Rock, Pop genres. It contains 14 tracks with total duration of 57:37 minutes.
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| Artist: | Sly Stone |
| Release date: | 2011 |
| Genre: | Hip Hop/R&B, Soul, Rock, Pop |
| Tracks: | 14 |
| Duration: | 57:37 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Dance to the Music (featuring Ray Manzarek) | 3:01 |
| 2. | Everyday People (featuring Ann Wilson) | 2:57 |
| 3. | Family Affair | 3:19 |
| 4. | Stand! (featuring Ernie Watts, Carmine Appice) | 3:14 |
| 5. | Thank You (Falettinme Be Mice Elf Agin) (featuring Johnny Winter) | 4:55 |
| 6. | (I Want to Take You) Higher (featuring Jeff Beck) | 4:44 |
| 7. | Hot Fun In the Summertime (featuring Bootsy Collins) | 2:54 |
| 8. | Dance to the Music (Extended Mix) | 6:39 |
| 9. | Plain Jane | 4:24 |
| 10. | His Eye Is On the Sparrow | 4:17 |
| 11. | Get Away | 3:46 |
| 12. | Dance to the Music (Club Mix) | 4:12 |
| 13. | Family Affair (Dubstep Mix) | 4:43 |
| 14. | Thank You (Falettinme Be Mice Elf Agin) (Electro Club Mix) | 4:32 |
Details
[Edit]It’s not the “comeback” that fans have been waiting for since the mid-‘70s when Sly Stone’s troubles began overshadowing his prodigious ability to create new, innovative music. It is an album aimed at a new generation who may find that the old recordings sound a little “flat” in comparison to modern-day production techniques where the volume is pumped to an extreme. Absurd as it may be, it’s a vital truth if you wish to be taken seriously on the dancefloor. So, the bass is cranked, the beats are juiced and Stone does credible re-creations of his old hits that include a bevy of guests from Jeff Beck and Bootsy Collins to Heart’s Ann Wilson and the Doors’ Ray Manzarek. Two decent new tracks are thrown in before the album ends with remixes of Sly’s hits where the album further focuses on grabbing the attention of clubgoers. This isn’t likely to satisfy old fans, who would be best served sticking with a “Greatest Hits” album, but it should bring Sly into 21st-century relevancy for DJs and their audiences.