Spiderland (Deluxe Remastered)
Download links and information about Spiderland (Deluxe Remastered) by Slint. This album was released in 1991 and it belongs to Rock, Indie Rock, Alternative genres. It contains 20 tracks with total duration of 01:58:34 minutes.
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| Artist: | Slint |
| Release date: | 1991 |
| Genre: | Rock, Indie Rock, Alternative |
| Tracks: | 20 |
| Duration: | 01:58:34 |
| Buy it NOW at: | |
| Buy on iTunes $11.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Breadcrumb Trail (Remastered) | 5:54 |
| 2. | Nosferatu Man (Remastered) | 5:34 |
| 3. | Don, Aman (Remastered) | 6:27 |
| 4. | Washer (Remastered) | 8:49 |
| 5. | For Dinner... (Remastered) | 5:05 |
| 6. | Good Morning, Captain (Remastered) | 7:41 |
| 7. | Nosferatu Man (Basement Practice) | 7:05 |
| 8. | Washer (Basement Practice) | 4:48 |
| 9. | Good Morning, Captain (Demo) | 7:34 |
| 10. | Pam (Rough Mix, Spiderland Outtake) | 4:44 |
| 11. | Glenn (Spiderland Outtake) | 7:59 |
| 12. | Todd's Song (Post-Spiderland Song in Progress) | 7:22 |
| 13. | Brian's Song (Post-Spiderland Demo) | 5:57 |
| 14. | Cortez the Killer (Live Chicago 1989) | 8:36 |
| 15. | Washer (4 Track Vocal Demo) | 7:21 |
| 16. | Nosferatu Man (4 Track Vocal Demo) | 5:23 |
| 17. | Pam (4 Track Vocal Demo) | 3:33 |
| 18. | Good Morning, Captain (Evanston Riff Tape) | 0:45 |
| 19. | Nosferatu Man (Evanston Riff Tape) | 3:18 |
| 20. | Pam (Evanston Riff Tape) | 4:39 |
Details
[Edit]As has become the custom, when Slint’s second album, Spiderland, turned twentysomething, it was reissued in a deluxe remastered edition that features the original album with improved sound and a number of intriguing demos, live performances, and outtakes that fulfill the hopes and dreams of the fan who always craved more of a very good thing. The original album was recorded by Brian Paulson in Chicago over four days in August 1990. A live version of Neil Young’s “Cortez the Killer” from a 1989 Chicago show would be enough for most fans, but the inclusion of actual outtakes—such as “Glen” and the post-Spiderland outtakes of songs-in-progress like “Todd’s Song” and “Brian’s Song”—provide even more insight to what might have been. Basement practices are of decent, not spectacular, quality. Four-track recordings are often in rougher shape, while the “Evanston Riff Tape” of “Good Morning, Captain,” “Nosferatu Man,” and “Pam” should send shivers of recognition down the spine of any guitarist who ever played in a band.