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Sippie Wallace Vol. 1 (1923-1925)

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Download links and information about Sippie Wallace Vol. 1 (1923-1925) by Sippie Wallace. This album was released in 1995 and it belongs to Blues genres. It contains 24 tracks with total duration of 01:11:38 minutes.

Artist: Sippie Wallace
Release date: 1995
Genre: Blues
Tracks: 24
Duration: 01:11:38
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Tracks

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No. Title Length
1. Up the Country Blues 3:21
2. Shorty George Blues 3:36
3. Mama's Gone, Goodbye 2:48
4. Caldonia Blues 2:42
5. Underworld Blues 2:59
6. Leavin' Me Daddy Is Hard to Do 2:44
7. Can Anybody Take Sweet Mama's Place? 3:26
8. Stranger's Blues 2:56
9. Sud Bustin' Blues 3:09
10. Wicked Monday Morning Blues 3:11
11. Baby, I Can't Use You No More 3:00
12. Trouble Everywhere I Roam 2:53
13. I've Stopped My Man 2:45
14. Walkin' Talkin' Blues 2:51
15. I'm So Glad I'm Brownskin 2:54
16. Off and On Blues 2:53
17. He's the Cause of Me Being Blue 2:54
18. Let My Man Alone Blues 3:17
19. Morning Dove Blues 2:30
20. Devil Dance Blues 3:05
21. Every Dog Has His Day 2:49
22. Section Hand Blues 3:00
23. Parlor Social de Luxe 3:17
24. Being Down Don't Worry Me 2:38

Details

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Sippie Wallace was one of the great blues singers of the 1920s. Although she occasionally sang non-blues material on records, the blues was where her powerful voice sounded best. Document, on two CDs, has released all of her recordings prior to 1958. The first disc starts out with impressive performances on the hits "Up the Country Blues" and "Shorty George Blues," which find Sippie backed by Eddie Heywood, Sr.'s fluid piano (one of his best records). Wallace is heard accompanied by Clarence Williams' more basic piano during 1924-25 and with bands that include Louis Armstrong (very much in the background on two songs), Sidney Bechet, cornetist King Oliver (for three songs), other Williams associates of the period, plus her young brother, pianist Hersal Thomas. Among the more notable selections are "Mama's Gone, Goodbye," "Leavin' Me Daddy Is Hard to Do," "Baby, I Can't Use You No More," "Walkin' Talkin' Blues," "I'm So Glad I'm Brownskin" and "Devil Dance Blues." Although the second Document volume gets the edge (better recording quality and some exciting contributions by Louis Armstrong), the first CD is well worth getting too by vintage blues collectors. Most of these performances have been difficult to find for decades.