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A Thinking Man's Band / Waltz In Jazz Time

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Download links and information about A Thinking Man's Band / Waltz In Jazz Time by Si Zentner. This album was released in 2005 and it belongs to Jazz, Pop genres. It contains 24 tracks with total duration of 01:01:04 minutes.

Artist: Si Zentner
Release date: 2005
Genre: Jazz, Pop
Tracks: 24
Duration: 01:01:04
Buy on iTunes $19.99

Tracks

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No. Title Length
1. Sweetheart of Sigma Chi (featuring Si Zentner And Orchestra) 2:11
2. Volga Boatmen (featuring Si Zentner And Orchestra) 3:34
3. Stompin' At the Savoy (featuring Si Zentner And Orchestra) 2:38
4. Beautiful Love (featuring Si Zentner And Orchestra) 2:32
5. Thinkin' Man (featuring Si Zentner And Orchestra) 3:00
6. Two Guitars (featuring Si Zentner And Orchestra) 1:49
7. Sock Hop (featuring Si Zentner And Orchestra) 2:32
8. Bei Mir Bist Du Schon (featuring Si Zentner And Orchestra) 2:41
9. Out of Nowhere (featuring Si Zentner And Orchestra) 2:44
10. Why Not (featuring Si Zentner And Orchestra) 2:52
11. Little Girl (featuring Si Zentner And Orchestra) 2:14
12. The World Is Waiting for the Sunrise (featuring Si Zentner And Orchestra) 2:09
13. The Sweetest Sounds (featuring Si Zentner And Orchestra) 2:38
14. Paradise (featuring Si Zentner And Orchestra) 2:34
15. A la Mode (featuring Si Zentner And Orchestra) 2:39
16. Belle of the Ball (featuring Si Zentner And Orchestra) 2:17
17. Cassandra (featuring Si Zentner And Orchestra) 2:21
18. Gonna Go Fishin' (featuring Si Zentner And Orchestra) 2:12
19. Waltz In Jazz Time (featuring Si Zentner And Orchestra) 2:25
20. Green Fields (featuring Si Zentner And Orchestra) 3:14
21. Willow Weep for Me (featuring Si Zentner And Orchestra) 2:06
22. Lover 2:23
23. Wild Honeysuckle 2:31
24. Magenta 2:48

Details

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This superb reissue of two fine albums on one CD features excellent sound and good art reproduction, and at a competitive price. Si Zentner was one of the leading exponents of swing music — which was supposedly dead — in the 1960s, and this CD fully explains his popularity. Combining his excellent band with Liberty Records' superior recording facilities, he generated music that, if dated for its time, still forced itself to be heard and found its audience. There's no annotation but the music sounds so good that this oversight can be forgiven, especially as the original (albeit U.K.) cover art, front and back, is reprinted.