Demolition

Ryan Adams is such a prolific writer and recorder that it is impossible to keep him completely under record company schedules for “proper” albums. Allegedly, these recordings were songs intended for a multitude of projects that, if released, would’ve over-inundated the market with Adams product. The diversity here, however, is engaging and the recording quality, which ranges from full-on album-ready to sketchy demos — only further builds on the man’s myth. “Nuclear” is hard rock. “Hallelujah” is an alt-country rock hit single that never was. “She Wants to Play Hearts” is a tear-jerking piece of loneliness. “You Will Always Be The Same” uses cello and acoustic guitar to supplement Adams’ angry croak. “Desire” further proves what a fine singer he is under all circumstances. “Cry On Demand” gives the impression that had Adams come of age in the ‘60s or early ‘70s he would have easily slotted onto the radio without a fight. “Tennessee Sucks” is a perfect lazy, summer ballad. “Dear Chicago” soldiers up north so Adams can turn his collar to the unforgiving wind.