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Music By Ry Cooder

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Download links and information about Music By Ry Cooder by Ry Cooder. This album was released in 1970 and it belongs to Hip Hop/R&B, Soul, Blues, Rock, Blues Rock, Theatre/Soundtrack, Acoustic genres. It contains 34 tracks with total duration of 01:41:34 minutes.

Artist: Ry Cooder
Release date: 1970
Genre: Hip Hop/R&B, Soul, Blues, Rock, Blues Rock, Theatre/Soundtrack, Acoustic
Tracks: 34
Duration: 01:41:34
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Tracks

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No. Title Length
1. Paris, Texas 2:52
2. Theme from Southern Comfort 3:46
3. Theme from Alamo Bay 5:09
4. Across the Borderline 3:04
5. Highway 23 1:56
6. Bomber Bash 4:02
7. Greenhouse (Edit) (featuring Blue City - Ry Cooder) 3:38
8. Nice Bike (featuring Blue City - Ry Cooder) 1:35
9. I Like Your Eyes 2:25
10. Main Theme 1:54
11. See You In Hell Blind Boy 2:09
12. Feelin' Bad Blues 4:16
13. Swamp Walk 1:04
14. Angola 2:02
15. Viola Lee Blues 3:10
16. The Long Riders 3:15
17. Archie's Funeral (Hold to God's Unchanging Hand) 2:42
18. Jesse James 5:05
19. King of the Street 3:31
20. Sunny's Tune 2:56
21. No Quiero 2:45
22. Cruising With Rafe 3:02
23. Klan Meeting 2:48
24. I Can't Walk This Time / The Prestige 6:49
25. East St. Louis 2:03
26. Goose and Lucky 1:40
27. Goyakla Is Coming 1:10
28. Cancion Mixteca 4:15
29. Canoes Upstream 1:09
30. Maria 0:50
31. Bound for Canaan (Sieber & Davis) 1:28
32. Bound for Canaan (The 6th Calvary) 1:36
33. Train to Florida 9:27
34. Houston In Two Seconds 2:01

Details

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Since he's a limited vocalist with erratic songwriting skills, one could justifiably argue that the soundtrack medium is the best vehicle for Ry Cooder's talents, allowing him to construct eclectic, chiefly instrumental pieces drawing upon all sorts of roots music and ethnic flavors (often, but not always, employing his excellent blues and slide guitar). This two-CD, 34-song compilation gathers excerpts from 11 of the soundtracks he worked on between 1980 and 1993 (three of the cuts, from the 1981 film Southern Comfort, are previously unreleased). As few listeners (even Cooder fans) are dedicated enough to go to the trouble of finding all of his individual soundtracks, this is a good distillation of many of his more notable contributions in this idiom, although it inevitably leaves out some fine moments. Still, it's well programmed and evocative, often conjuring visions of ghostly landscapes and funky border towns.