Psycho (The Complete Original Motion Picture Score)
Download links and information about Psycho (The Complete Original Motion Picture Score) by Bernard Herrmann, Royal Scottish National Orchestra, Joel McNeely. This album was released in 1997 and it belongs to Theatre/Soundtrack genres. It contains 40 tracks with total duration of 01:00:53 minutes.
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| Artist: | Bernard Herrmann, Royal Scottish National Orchestra, Joel McNeely |
| Release date: | 1997 |
| Genre: | Theatre/Soundtrack |
| Tracks: | 40 |
| Duration: | 01:00:53 |
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| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Prelude | 1:56 |
| 2. | The City | 2:12 |
| 3. | Marion | 1:35 |
| 4. | Marion and Sam | 1:53 |
| 5. | Temptation | 2:51 |
| 6. | Flight | 1:08 |
| 7. | Patrol Car | 1:06 |
| 8. | The Car Lot | 1:45 |
| 9. | The Package | 1:31 |
| 10. | The Rainstorm | 3:11 |
| 11. | Hotel Room | 2:04 |
| 12. | The Window | 1:12 |
| 13. | The Parlor | 1:38 |
| 14. | The Madhouse | 1:54 |
| 15. | The Peephole | 3:02 |
| 16. | The Bathroom | 1:02 |
| 17. | The Murder | 1:03 |
| 18. | The Body | 0:17 |
| 19. | The Office | 1:20 |
| 20. | The Curtain | 1:15 |
| 21. | The Water | 1:45 |
| 22. | The Car | 0:52 |
| 23. | Cleanup | 2:15 |
| 24. | The Swamp | 2:04 |
| 25. | The Search | 0:41 |
| 26. | The Shadow | 0:50 |
| 27. | Phone Booth | 0:54 |
| 28. | The Porch | 1:04 |
| 29. | The Stairs | 2:58 |
| 30. | The Knife | 0:30 |
| 31. | The Search [B] | 1:40 |
| 32. | The First Floor | 2:45 |
| 33. | Cabin 10 | 1:09 |
| 34. | Cabin 1 | 1:06 |
| 35. | The Hill | 1:05 |
| 36. | The Bedroom | 0:59 |
| 37. | The Toys | 1:02 |
| 38. | The Cellar | 1:06 |
| 39. | Discovery | 0:41 |
| 40. | Finale | 1:32 |
Details
[Edit]
Bernard Herrmann made Alfred Hitchcock and Hitch made Herrmann. Each pushed the other to the limit with Psycho. The main theme still has the ability to make neck hairs stand to attention; dizzying and menacing, yet wickedly seductive, it is the perfect accompaniment to Norman Bates. In signature style, Hermann’s score combines a gentle, sensitive touch with bursts of sudden violence. While variations on the main theme recur throughout, the orchestral melodies always retreat toward the same stabbing climax until finally attaining the atonal gasps of “The Knife.”