Create account Log in

Roosevelt Sykes Vol. 9 (1947-1951)

[Edit]

Download links and information about Roosevelt Sykes Vol. 9 (1947-1951) by Roosevelt Sykes. This album was released in 1994 and it belongs to Blues, Acoustic genres. It contains 24 tracks with total duration of 01:07:18 minutes.

Artist: Roosevelt Sykes
Release date: 1994
Genre: Blues, Acoustic
Tracks: 24
Duration: 01:07:18
Buy on iTunes $9.99
Buy on Amazon $8.99

Tracks

[Edit]
No. Title Length
1. Boogie Honky Tonk 3:02
2. Booze Blues 2:43
3. Time Wasted On You 3:13
4. Until the Cows Come Home 3:09
5. High As a Georgia Pine 2:38
6. I Know How You Feel 3:11
7. Candy Man Blues 2:34
8. Why Should I Cry 2:27
9. He's Just a Gravy Train 2:48
10. Southern Blues 2:31
11. Stop Her Poppa 2:33
12. My Baby Is Gone 2:53
13. Drivin' Wheel 2:53
14. Rock It 3:01
15. West Helena Blues 2:55
16. Mailbox Blues 3:02
17. Wintertime Blues 2:51
18. Blues 'n' Boogie 2:35
19. Green Onion Top 2:38
20. Wonderin' Blues 2:20
21. Dark Clouds (featuring John Brim) 2:46
22. Lonesome Man Blues (featuring John Brim) 2:57
23. Going Down the Line (featuring Grace Brim) 2:46
24. Leaving Daddy Blues (featuring Grace Brim) 2:52

Details

[Edit]

Document's ninth volume devoted to the complete chronologically reissued works of Roosevelt Sykes covers a four-year period beginning in November 1947 and combines 20 Victor, Bullet, and Regal recordings with four titles that feature Kentucky-born guitarist John Brim and his wife Grace, a convincing singer who is also heard playing drums and harmonica. A perusal of the other identified participants reveals a healthy contingent of seasoned Chicago sessionmen, including trumpeter Johnny Morton, saxophonists Bill Casimir, Walter Broadus, and Oett "Sax" Mallard; guitarists Willie Lacey and Emmanuel Sayles; bassists Ransom Knowling and J.C. Bell, as well as drummers Judge Riley, P.F. Thomas, and Armand "Jump" Jackson. By the time he cut eight sides for Regal in 1949, Sykes had been making records for a full 20 years. Unfazed by changing patterns in pop culture, he matured with dignity by assimilating some of what was in the air and subjecting it to his well-established, straightforward approach to singing and playing the blues. What you get in this package is a fascinating prologue to his adventures in the '50s (see volume 10) and his extraordinary comeback in the ‘60s, ‘70s, and early ‘80s.