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Return of the Grievous Angel - A Tribute to Gram Parsons

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Download links and information about Return of the Grievous Angel - A Tribute to Gram Parsons. This album was released in 2011 and it belongs to Country genres. It contains 13 tracks with total duration of 54:14 minutes.

Release date: 2011
Genre: Country
Tracks: 13
Duration: 54:14
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Tracks

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No. Title Length
1. She (The Pretenders, Emmylou Harris) 4:51
2. Ooh Las Vegas (Cowboy Junkies) 5:21
3. Sin City (Beck, Emmylou Harris) 4:00
4. $1,000 Wedding (Evan Dando, Juliana Hatfield) 3:07
5. Hot Burrito #1 (The Mavericks) 3:54
6. High Fashion Queen (Steve Earle, Chris Hillman) 3:06
7. Juanita (Sheryl Crow, Emmylou Harris) 2:42
8. Sleepless Nights (Elvis Costello) 3:57
9. Return of the Grievous Angel (Lucinda Williams, David Crosby) 4:19
10. One Hundred Years from Now (Wilco) 2:52
11. A Song for You (Whiskeytown) 6:40
12. Hickory Wind (Gillian Welch) 4:39
13. In My Hour of Darkness (The Rolling Creekdippers) 4:46

Details

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Emmylou Harris helped assemble this tribute to her old singing partner, country-rock icon Gram Parsons, and her love and understanding of his music informs this collection. The musicians here are among the most sympathetic to Parsons’ cause, and their performances accentuate his greatness. Chrissie Hynde finds the sensual and seductive side of Parsons’ music with a rendition of “She” that lets Emmylou Harris find her groove. The Cowboy Junkies cast a hypnotic beauty over “Ooh Las Vegas,” which sounds like the soundtrack to a David Lynch film. Beck plays it straight and powerful for the Flying Burrito Brothers classic “Sin City.” Ex-Byrd and Burrito Brother Chris Hillman teams with Steve Earle for the pure country drive of “High Fashion Queen.” Sheryl Crow and Harris reveal the sweetness of “Juanita,” while Lucinda Williams and David Crosby tackle the complex and beautiful “Return of the Grievous Angel” with sensational results. Wilco and Whiskeytown—alt-country heroes who took a cue from Parsons—are natural fits. Harris assembled a tribute that stands as its own musical statement.