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Play it Again - The Classic Sound of Hollywood

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Download links and information about Play it Again - The Classic Sound of Hollywood. This album was released in 2014 and it belongs to Theatre/Soundtrack genres. It contains 18 tracks with total duration of 01:48:13 minutes.

Release date: 2014
Genre: Theatre/Soundtrack
Tracks: 18
Duration: 01:48:13
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Tracks

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No. Title Length
1. Original Main Title (From "Peyton Place") (Charles Gerhardt) 3:22
2. The Thing (From "Another World"): Suite (Charles Gerhardt) 10:33
3. The Dance of the Seven Veils (From "Salome") (Charles Gerhardt) 5:05
4. Of Human Bondage (Charles Gerhardt) 12:28
5. Between Two Worlds (Charles Gerhardt) 7:33
6. The Sea Hawk (Charles Gerhardt) 15:37
7. Main Title: Dixie, Mammy, Tara, Rhett (From "Gone With the Wind") (Charles Gerhardt) 3:05
8. Prelude & "Lara's Theme" (Maurice Jarre, The Royal Philharmonic Orchestra) 5:16
9. Psycho: The Murder (Los Angeles Philharmonic) 1:00
10. Lawrence of Arabia (Maurice Jarre, The Royal Philharmonic Orchestra) 4:30
11. Main Titles and Calvera's Visit (From "the Magnificient Seven") (Elmer Bernstein) 3:59
12. Vertigo: Scène d'amour (Esa-Pekka Salonen) 6:44
13. Casablanca (Charles Gerhardt) 8:42
14. Il buono, il brutto, il cattivo (Titles) [From "The Good, The Bad and the Ugly"] (Ennio Morricone, Orchestra Dell Accademia Nazionale Di Santa Cecilia) 3:06
15. The Dialogue From "Close Encounters of the Third Kind" (John Williams, The Boston Pops Orchestra) 3:28
16. King Kong (Charles Gerhardt) 7:22
17. Parade of the Charioteers (From "Ben-Hur") (Arthur Fiedler) 3:41
18. Moon River (From "Breakfast at Tiffany's") (Henry Mancini) 2:42

Details

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Turner Classic Movies celebrates two decades of cinematic cable exuberance with this smart, globe-spanning anthology of film music recordings from Hollywood’s Golden Era. At the collection’s core are selections from Sony’s reissues of conductor/curator Charles Gerhardt’s still-spectacular Classic Film Scores series for RCA in the '70s: albums so popular some made Billboard's charts. Of special interest are two recordings from the series making their digital debut: a harrowing, surprisingly modern suite from Dimitri Tiomkin’s 1951 score for producer Howard Hawk’s original The Thing (a fine bookend for Gerhardt’s suite from Max Steiner’s groundbreaking King Kong), and Daniele Amfitheatrof’s evocative kitsch-bait from 1953’s Salome, “Dance of the Seven Veils.” The balance of the recordings maintain that standard, featuring such scoring legends as Mancini, Jarre, Williams, Morricone, and Bernstein conducting newer symphonic recordings of their most iconic soundtrack work.