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Beauty and the Beat! (Live In Miami, FL/1959/Remastered)

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Download links and information about Beauty and the Beat! (Live In Miami, FL/1959/Remastered) by Peggy Lee, George Shearing. This album was released in 1959 and it belongs to Jazz, Vocal Jazz, Pop, Classical genres. It contains 12 tracks with total duration of 33:20 minutes.

Artist: Peggy Lee, George Shearing
Release date: 1959
Genre: Jazz, Vocal Jazz, Pop, Classical
Tracks: 12
Duration: 33:20
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Tracks

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No. Title Length
1. Do I Love You? (Live In Miami, FL/1959) 3:50
2. I Lost My Sugar In Salt Lake City (Live In Miami, FL/1959/Remastered) 2:41
3. If Dreams Come True (Live In Miami, FL/1959/Remastered) 2:54
4. All Too Soon (Live In Miami, FL/1959/Remastered) 3:16
5. Mambo In Miami (Instrumental/Live In Miami/1959/Remastered) 1:57
6. Isn't It Romantic? (Instrumental/Live In Miami/1959/Remastered) 2:58
7. Blue Prelude (Live In Miami/1959/Remastered) 2:24
8. You Came a Long Way From St. Louis (Live In Miami/1959/Remastered) 3:16
9. Always True To You In My Fashion (Live In Miami/1959/Remastered) 2:16
10. There'll Be Another Spring (Live In Miami/1959/Remastered) 2:28
11. Get Out of Town (Live In Miami/1959/Remastered) 2:30
12. Satin Doll (Instrumental/Live In Miami, FL/1959/Remastered) 2:50

Details

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Originally recorded in 1959 upon its first release, Beauty and the Beat! was billed as a live recording from a Miami convention of disc jockeys. Though Peggy Lee and George Shearing did in fact perform there (and attempts were made to record them for later release), the songs heard on the subsequent LP were recorded in the studio and overdubbed with rather obvious canned applause, announcements, and even post-production echo. After one mostly faithful reissue on CD (with bonus tracks), the record reappeared in 2003 with all the offending chatter removed and a top-notch, live-in-the-studio session revealed. Lee and Shearing, who had never recorded before, conceived a set of completely new arrangements that played to their strengths: stately blues and effervescent swing. The best of the former comes on a pair of locale-referencing quasi-blues, "I Lost My Sugar in Salt Lake City" and "You Came a Long Way From St. Louis," both of which Lee and Shearing are able to transform into languorous, respectable torch songs. The usually downcast "Blue Prelude" is actually taken at a laissez faire tempo that Lee treats well, and the original set ends with "Get Out of Town" and "Satin Doll," a pair of bemused, affectionate performances that perfectly suit the pair. Lee and Shearing's only collaboration on record — though both would occasionally perform together thereafter — is a supremely chilled session of late-night blues from two masters of the form.