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Shifting Times (feat. Wycliffe Gordon, Marcus Printup & Joe Locke)

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Download links and information about Shifting Times (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) by Paradigm Shift. This album was released in 2004 and it belongs to Jazz genres. It contains 11 tracks with total duration of 51:43 minutes.

Artist: Paradigm Shift
Release date: 2004
Genre: Jazz
Tracks: 11
Duration: 51:43
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Tracks

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No. Title Length
1. Sandu (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 4:04
2. Yesterdays (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 5:03
3. Sanibel Breeze (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 4:12
4. Half a World Away (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 5:27
5. Shifting Times (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 6:12
6. Big Brother (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 6:27
7. First Shift (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 4:55
8. Simplistic Blues (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 3:59
9. Why Not Scrambled (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 2:56
10. Petra's Lament (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 5:52
11. My Foolish Heart (feat. Wycliffe Gordon, Marcus Printup & Joe Locke) 2:36

Details

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Paradigm Shift consists of organist Gerry Youngman, guitarist Melvin Henderson, and drummer Ted Poor. Their debut recording adds several American guests used in various combinations. Clifford Brown's "Sandu" is reworked into a funky soul-jazz setting, utilizing expressive solos by trombonist Wycliffe Gordon and trumpeter Marcus Printup, and adding a tasty George Benson-like solo by Henderson. Virtuoso vibraphonist Joe Locke is at the forefront of the light but breezy take of "Yesterdays," with the trio coolly percolating behind him. Youngman's "Half a World Away" is lightly swaggering funk, showcasing Printup (on both open and muted horn) and Henderson. Stevie Wonder's "Big Brother" is adapted successfully into a jazz-funk, featuring Locke and Gordon in a very accessible adaptation. The trio finally saves a pair of originals just for themselves, including "Simplistic Blues" (which is more engaging than its title makes it sound), though the rather pedestrian drumming in "Why Not Scrambled" gives it a cheesy flavor. Overall, this is a good start to a promising jazz band.