Create account Log in

Live In Montpellier

[Edit]

Download links and information about Live In Montpellier by Paolo Fresu. This album was released in 1988 and it belongs to Jazz genres. It contains 10 tracks with total duration of 01:13:50 minutes.

Artist: Paolo Fresu
Release date: 1988
Genre: Jazz
Tracks: 10
Duration: 01:13:50
Buy on iTunes $9.99
Buy on Amazon $8.99

Tracks

[Edit]
No. Title Length
1. In Parte Senz'Arte (Intro) (featuring Paolo Fresu Quintet) 3:04
2. In Parte Senz'Arte (featuring Paolo Fresu Quintet) 11:32
3. Round Midnight (featuring Paolo Fresu Quintet) 11:43
4. Ostinato (featuring Paolo Fresu Quintet) 3:43
5. Pocket Day (featuring Paolo Fresu Quintet) 6:21
6. Blues For You (featuring Paolo Fresu Quintet) 9:38
7. Only Women Bleed (featuring Paolo Fresu Quintet) 14:15
8. Well You Needn'T (featuring Paolo Fresu Quintet) 11:37
9. Only Women Bleed (2Nd Take) (featuring Paolo Fresu Quintet) 0:54
10. Speaker (featuring Paolo Fresu Quintet) 1:03

Details

[Edit]

Picking out a single live date of the Paolo Fresu Quintet for release must be a difficult thing indeed. Recorded in 1988, this album of the band — Fresu (trumpet), Tino Tracanna (saxophones), Roberto Cipelli (piano), Attilio Zanchi (bass), and Ettore Fioravanti (drums) — was made when Fresu was just a Young Turk, bringing his group and its electronic devices to a festival in Montpellier to reinvent modern Italian jazz. Here, with subtle electronic sounds and sweeping percussive textures, the front line of Tracanna and Fresu weaves a hypnotic spell of intrigue and jazz danger, full of originals and well-placed covers — including a highly idiosyncratic and deeply satisfying read of Monk's "Well, You Needn't" inserted into the middle of two sections of Alice Cooper's "Only Women Bleed"! The Cooper tune, taken apart from its insipid pop melody, is reinvented both harmonically and rhythmically, allowing for Monk's masterpiece to flow seamlessly right into the center, take it over with all of its angular speculation, and retreat as the former number restates its own theme — this time more prominently than before — with a swinging elegance that the original never had. Also notable is the Fresu composition "In Parte Senz'arte," a two-part figure that almost Baroquely states itself as a theme and then becomes an intricate set of rhythmic — even funky — changes over a languid, bluesy melody. Phenomenal.