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A Jazz Odyssey

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Download links and information about A Jazz Odyssey by Oscar Peterson. This album was released in 2002 and it belongs to Jazz, Bop genres. It contains 18 tracks with total duration of 01:07:19 minutes.

Artist: Oscar Peterson
Release date: 2002
Genre: Jazz, Bop
Tracks: 18
Duration: 01:07:19
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Tracks

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No. Title Length
1. Get Happy 2:28
2. Just A-Sittin' and A-Rockin' (featuring The Oscar Peterson Trio) 3:40
3. How About You (featuring The Oscar Peterson Trio) 5:32
4. When Lights Are Low (Live at Civic Opera House, Chicago) (featuring The Oscar Peterson Trio) 3:59
5. The Honeydripper (featuring The Oscar Peterson Trio) 2:21
6. This Nearly Was Mine (featuring The Oscar Peterson Trio) 4:17
7. L'Impossible 5:19
8. My Romance (featuring The Oscar Peterson Trio) 3:56
9. Dancing on the Ceiling 5:06
10. I Only Have Eyes for You (featuring Billie Holiday) 2:52
11. Exactly Like You (featuring Dizzy Gillespie, Stan Getz) 4:57
12. Blue Moon (featuring Roy Eldridge) 3:56
13. Pennies from Heaven (1955 Version) (featuring Lester Young, Harry Edison, Buck Clayton) 5:14
14. I'll Never Be the Same (featuring Coleman Hawkins) 3:29
15. Goody, Goody (1957 / Shrine Auditorium) [Live] (featuring Ella Fitzgerald) 1:57
16. Mic's Jump (featuring Dizzy Gillespie) 2:15
17. I Can't Give You Anything but Love (featuring Sonny Stitt) 4:01
18. Mumbles (featuring Clark Terry) 2:00

Details

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This 18-track selection of Oscar Peterson's work was assembled to coincide with the great pianist's autobiography. Centering on his most creative period, from 1950-1970, this compilation focuses intently on the years Peterson spent playing with Dizzy Gillespie, Ella Fitzgerald, Stan Getz, Billie Holiday, Coleman Hawkins, Lester Young, Roy Eldridge, Sweets Edison, and Max Roach, as well as establishing himself as a bandleader and soloist. Tracks such as "My Romance," "Get Happy," "Blue Moon," and "Pennies from Heaven'' are standards in Peterson's repertoire and showcase his sprightly, often dizzying right-hand machinations and his complex, often frighteningly difficult conception of harmonic architecture. In his fine swinging style, his read of "I Only Have Eyes for You," with Fitzgerald, is one of the true hallmarks of piano and vocal jazz. This is a fine place to start for anyone interested in discovering Peterson's contribution to the historical jazz canon.