The Hoople (Bonus Track Version)
Download links and information about The Hoople (Bonus Track Version) by Mott The Hoople. This album was released in 1974 and it belongs to Rock, Glam Rock, Hard Rock, Rock & Roll, Punk, Heavy Metal, Alternative genres. It contains 16 tracks with total duration of 01:08:24 minutes.
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| Artist: | Mott The Hoople |
| Release date: | 1974 |
| Genre: | Rock, Glam Rock, Hard Rock, Rock & Roll, Punk, Heavy Metal, Alternative |
| Tracks: | 16 |
| Duration: | 01:08:24 |
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| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | The Golden Age of Rock 'N' Roll | 3:24 |
| 2. | Marionette | 5:03 |
| 3. | Alice | 5:18 |
| 4. | Crash Street Kids | 4:29 |
| 5. | Born Late '58 | 3:57 |
| 6. | Trudi's Song | 4:24 |
| 7. | Pearl 'N' Roy (England) | 4:26 |
| 8. | Through the Looking Glass | 4:35 |
| 9. | Roll Away the Stone | 3:08 |
| 10. | Where Do You All Come From | 3:25 |
| 11. | Rest In Peace (B Side) | 3:53 |
| 12. | Foxy Foxy (Single) | 3:30 |
| 13. | (Do You Remember) Saturday Gigs [Alternate Version] | 4:18 |
| 14. | The Saturday Kids | 6:01 |
| 15. | Lounge Lizard | 4:18 |
| 16. | American Pie / The Golden Age of Rock 'N' Roll (Live) | 4:15 |
Details
[Edit]Mott was so good that the sequel, appropriately named The Hoople, has been unfairly dismissed as not living up to the group's promise. Yes, it doesn't compare to its predecessor, but most records don't. The bigger problem is that Mick Ralphs chose to leave during the supporting tour for Mott, leaving Ian Hunter as the undisputed leader of the group and subtly changing the character of the band's sound. Even with Hunter as Mott the Hoople's main songwriter, Ralphs helped shape their musical direction, so without a collaborator in hand, Hunter was left without a center. So, it isn't surprising that the record seems a little uneven, both in terms of songwriting and sound, but it's hardly without merit. "Roll Away the Stone," a leftover from Mott, is first-rate; "Crash Street Kidds" rocks viciously; "The Golden Age of Rock & Roll" is a pleasant spin on Bowie-esque nostalgia (think "Drive-In Saturday"); and Overend Watts follows through on that theme with "Born Late '58," a perfectly credible rocker. This all makes The Hoople an entertaining listen, even if it doesn't compare to Mott's earlier masterpieces. [A 2004 reissue via Sony International included the bonus tracks "Where Do You All Come From?," "Rest in Peace," and "Foxy Foxy."]