Create account Log in

Come, Thou Fount of Every Blessing

[Edit]

Download links and information about Come, Thou Fount of Every Blessing by Mormon Tabernacle Choir. This album was released in 2009 and it belongs to New Age, Gospel, Songwriter/Lyricist genres. It contains 17 tracks with total duration of 01:15:49 minutes.

Artist: Mormon Tabernacle Choir
Release date: 2009
Genre: New Age, Gospel, Songwriter/Lyricist
Tracks: 17
Duration: 01:15:49
Buy on iTunes $11.99

Tracks

[Edit]
No. Title Length
1. Saints Bound for Heaven 2:53
2. My Song In the Night 4:39
3. We'll Shout and Give Him Glory 3:59
4. His Voice As the Sound 5:29
5. How Bright Is the Day 3:18
6. Death Shall Not Destroy My Comfort 7:19
7. My God, My Portion and My Love 5:30
8. Bound for the Promised Land 2:44
9. I Want Jesus to Walk With Me 3:54
10. Old Time Religion 3:06
11. The Battle of Jericho 2:39
12. Deep River 4:35
13. Down to the River to Pray 3:58
14. Rock-A-My Soul In the Bosom of Abraham 3:08
15. Softly and Tenderly 5:55
16. Amazing Grace 6:25
17. Come, Thou Fount of Every Blessing 6:18

Details

[Edit]

The concept of the folk hymn may sound like an anachronism, but there were countless lay composers who gradually shaped the hymn books for different branches of the Christian faith, far beyond the work of the accepted giants of hymnody (from Charles Wesley to Martin Luther). The Mormon Tabernacle Choir salutes that great tradition with Come, Thou Fount of Every Blessing: American Folk Hymns & Spirituals, a collection of 17 performances, most of which date back to the first half of the 19th century and have either traditional lyrics or musical basis in folk tunes (or both). Accompanied by the Orchestra at Temple Square, the choir reprises spirituals ("I Want Jesus to Walk with Me," "The Battle of Jericho," "Down to the River to Pray") as well as Southern harmony classics ("His Voice as the Sound," "My God, My Portion and My Love") and standard folk hymns ("Amazing Grace," "We'll Shout and Give Him Glory"). The set is anchored by the title song, which the Mormon Tabernacle Choir itself made increasingly popular ever since a mid-'90s arrangement by its musical director and conductor, Mack Wilberg, who's responsible for the majority of the arrangements here.