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Nova Bis: Moreira Da Silva

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Download links and information about Nova Bis: Moreira Da Silva by Moreira Da Silva. This album was released in 1994 and it belongs to Samba, World Music, Latin genres. It contains 28 tracks with total duration of 01:05:10 minutes.

Artist: Moreira Da Silva
Release date: 1994
Genre: Samba, World Music, Latin
Tracks: 28
Duration: 01:05:10
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Tracks

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No. Title Length
1. Que Barbada 2:05
2. Acertei No Milhar 2:53
3. Na Subida Do Morro 2:28
4. Esta Noite Eu Tive Um Sonho 2:04
5. Um Gago Apaixonado 1:51
6. Fui Ao Japao 1:20
7. Juracy 1:42
8. Ze Carioca 1:56
9. Malandro Em Sinuca 2:04
10. Malandro Bombardeado 1:35
11. Cachorro Da Madame 2:01
12. Cassino de Malandro 1:43
13. Camelot Na Cidade 3:05
14. No Seca-Sovaco 2:49
15. Aquele Adeus... 2:58
16. O Rei Do Gatilho 3:07
17. Anuncio Pra Mulher 2:20
18. Ciumento 2:23
19. O Ultimo Dos Mohicanos 3:27
20. Chave de Cadeia 1:57
21. Baiana Da Lapa 2:03
22. Fui Ao Dentista 2:35
23. Mulher Que Tem Cabeca 2:29
24. Cigano 2:50
25. Mulher Ma 2:22
26. Conversa de Botequim 2:13
27. Analfabeto 2:08
28. Piston de Gafieira 2:42

Details

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Moreira Da Silva is a fundamental Brazilian composer/interpreter. A Carioca, he brought to a major audience the genuine hill culture, with its malandragem (Carioca smartness) and its samba. Moreira Da Silva has a major achievement: He was the inventor of the samba de breque. Usually, the samba had, as other music, short breaks, which add to the rhythmic excitement of the piece. For the first time, in the recording of "Jogo Proibido" (included here), Da Silva began to improvise in speech between the verses of the song. As it was well accepted, he began to extend more and more the improvisations, until inserting some 30 seconds of humorous speech (and even dialogues) in the breaks, becoming famous at that. Along with that, he was a genuine malandro do morro (malandro from the hills), and his interpretations had the deepest Carioca spirit. Born in 1902 and deceased in June, 2000, singing until the very end, this compilation has some of the most expressive moments of his long and fertile career: "Arrasta A Sandália," with which he knew his enormous success in the Carnival of 1933, the winner of the first Carnival contest "É batucada" (in the same year), two songs recorded with the fundamental Garoto and his regional ("Nega Zura" and "Cassino"), and "Implorar," the megahit from 1935 (backed by Pixinguinha's orchestra). The inlay brings a short biographic introduction and all lyrics.