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Live In Tang

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Download links and information about Live In Tang by Michael Stanley. This album was released in 1998 and it belongs to Rock, Rock & Roll, Pop genres. It contains 15 tracks with total duration of 01:11:29 minutes.

Artist: Michael Stanley
Release date: 1998
Genre: Rock, Rock & Roll, Pop
Tracks: 15
Duration: 01:11:29
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Midwest Midnight 5:51
2. I'll Never Need Anyone More 3:17
3. After Hollywood 3:56
4. My Town 3:53
5. Spanish Nights 6:13
6. Working Again 3:53
7. Rosewood Bitters 4:34
8. Time On My Hands 4:04
9. Everything 5:28
10. All I Ever Wanted 4:37
11. Dancing In the Dark 3:12
12. Somewhere Over Paris 6:05
13. Grownup Love Song 4:49
14. Lover 6:30
15. In Between the Lines 5:07

Details

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Michael Stanley's 1998 album Live in Tangiers: The Acoustic Shows includes 30 songs spanning two CDs, and these tunes illustrate the Cleveland rocker's songwriting gifts and a skill for inspired choices of covers of classics like the Beatles' "Help," the Shirelles' "Will You Love Me Tomorrow?" and obscurities like Richard Thompson's "Waltzing's for Dreamers." The majority of songs are either Michael Stanley Band or solo material, including the brand-new songs "Time on My Hands" and "Grownup Love Song." Vocalist/guitarist Stanley is joined by MSB alumni like keyboardist Bob Pelander, drummer Tommy Dobeck; other musicians of note here include vocalist Jennifer Lee, guitarist Marc Lee Shannon, and violinist Ed Caner. Live in Tangiers was recorded primarily at four shows in March 1997 at a cabaret called the Tangier (technically, there is no "s" in the name) in Akron, Ohio. A few other Ohio shows were also recorded for the album, and so was one in St. Louis. The most interesting songs are "I'll Never Need Anyone More," "My Town," "Working Again," "Somewhere Over Paris," "Lover," "Let's Get the Show on the Road," and "Sendaway Underwear." The only drawback is that the energy drags over the course of the album. Several of these songs — particularly the MSB selections — were vibrant rockers, yet these fresh arrangements have converted nearly everything to slow, silky ballads. Acoustic-oriented albums like this certainly have their charm, such as an emphasis on melody, but they mostly strip the songs back to what they were like during the songwriting stage. Fully realized band recordings are needed to breathe the maximum amount of life into them, especially when they weren't born in the "middle of the road."