No Time for Dreaming
Download links and information about No Time for Dreaming by Charles Bradley, Menahan Street Band. This album was released in 2011 and it belongs to Electronica, Hip Hop/R&B, Soul, Blues, Rock, World Music, Funk genres. It contains 14 tracks with total duration of 48:44 minutes.
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| Artist: | Charles Bradley, Menahan Street Band |
| Release date: | 2011 |
| Genre: | Electronica, Hip Hop/R&B, Soul, Blues, Rock, World Music, Funk |
| Tracks: | 14 |
| Duration: | 48:44 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Songswave €1.20 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | The World (Is Going Up In Flames) | 3:22 |
| 2. | The Telephone Song | 3:48 |
| 3. | Golden Rule | 3:29 |
| 4. | I Believe In Your Love | 3:54 |
| 5. | Trouble In the Land | 1:02 |
| 6. | Lovin' You, Baby | 5:27 |
| 7. | No Time for Dreaming | 2:52 |
| 8. | How Long | 3:54 |
| 9. | In You (I Found a Love) | 3:21 |
| 10. | Why Is It So Hard | 4:09 |
| 11. | Since Our Last Goodbye | 4:16 |
| 12. | Heartaches and Pain | 2:56 |
| 13. | Heart of Gold | 3:03 |
| 14. | Stay Away | 3:11 |
Details
[Edit]Singing like 1970 never ended just comes naturally to Gainesville, Fla.–based soul singer Charles Bradley. Menahan Street Band leader Thomas Brenneck discovered Bradley, who’d been busking around New York City for decades. After a grip of Brenneck-produced 45 singles gained traction, No Time for Dreaming was recorded with the same kind of period-correct production favored by Sharon Jones & The Dap Kings. The opening song, “The World (Is Going Up in Flames),” fleshes out that Daptone sound with classic Southern soul trimmings including female backing singers, vibraphone, a gritty horn section, and a smooth bassist who sounds schooled by Carol Kaye. The sweltering ballad “I Believe in Your Love” plays as if Bradley has hijacked a microphone from Shuggie Otis and is fronting the band that played on Inspiration Information. Bradley’s voice breaks up like a young James Brown in the gritty funk of “Golden Rule” before the infectious title track grooves on a greasy strut of timeless tones and the audio kiss of analog hiss. A standout cover of Neil Young’s “Heart of Gold” rivals Merry Clayton’s 1971 cover of “Southern Man.”