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Time Gentlemen Please - Demos (Bonus Tracks)

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Download links and information about Time Gentlemen Please - Demos (Bonus Tracks) by Martin Gordon. This album was released in 2009 and it belongs to Alternative genres. It contains 17 tracks with total duration of 54:55 minutes.

Artist: Martin Gordon
Release date: 2009
Genre: Alternative
Tracks: 17
Duration: 54:55
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Tracks

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No. Title Length
1. Elephantasy (Demo) 3:23
2. Houston We Gotta Drinking Problem (Demo) 2:42
3. On and On (Demo) 3:22
4. 21st Century Blues (Demo) 4:08
5. Come Out Come Out Whoever You Are (Demo) 3:32
6. I Feel Fine (Demo) 3:04
7. If Boys Could Talk and Girls Could Think (Demo) 2:59
8. Talulah Does the Hula from Hawaii (Demo) 2:52
9. Shoot the Women First (Demo) 2:51
10. Panama (Demo) 3:18
11. Incognito Ergo Sum (Demo) 4:01
12. I Have a Chav (Demo) 3:31
13. Interesting Times (Demo) 2:25
14. Passionate About Your Elevator (Demo) 2:53
15. I'm Budgie (Don't Fly Me) [Demo] 2:45
16. You Can't See Me (Demo) 4:06
17. Worry, Baby (Demo) 3:03

Details

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The fifth and apparently final installment in Martin Gordon's mammal trilogy takes its title from the traditional cry of British barmen, moments before the premises close for the evening. It's the cue for everybody to glug down as many drinks as they can in the little time that remains, and there's a similar sense of urgency to the album, as no less than 16 songs are sluiced down the listener's throat, with each one proving more intoxicating than the last. So just when you think "Elephantasy" is possibly the most politically incorrect ode to large ladies since Morrissey's "You're the One for Me, Fatty," "Come out Come out Whoever You Are" marries a glorious slab of religious irreverence to the kind of screaming singalong that most people only associate with the Beatles — and then transcends even them as Gordon swings immediately into "I Feel Fine," the latest in his catalog of fab Fabs covers. Drawing, as usual, from both current affairs and his own internal directory of cutting observations, Gordon's lyrics are as sharp and shapely as ever, but with an extra-added raucousness that lifts Time Gentlemen Please above all but the best of its predecessors. But comparisons between the five, like attempts to single out the best songs on this album, are redundant. Like the cry that gave it its name, Time Gentlemen Please rings out over the most crowded room and snags everybody's attention. Can we have another trilogy, please?