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Follow Me Back To The Fold

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Download links and information about Follow Me Back To The Fold by Mark Newton. This album was released in 2000 and it belongs to Country, Songwriter/Lyricist genres. It contains 13 tracks with total duration of 45:56 minutes.

Artist: Mark Newton
Release date: 2000
Genre: Country, Songwriter/Lyricist
Tracks: 13
Duration: 45:56
Buy on iTunes $9.99

Tracks

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No. Title Length
1. We Can't Go Wrong (feat. Rhonda Vincent) 3:40
2. Used To Be (feat. Dale Ann Bradley) 2:43
3. A Child Again (feat. Kathy Chiavola) 3:41
4. Candle Of Love (feat. Lynn Morris) 2:29
5. If It Ain't Love (Let's Leave It Alone) (feat. The Whites) 3:54
6. High Lonesome (feat. Kim Fox & Barb Fox) 4:56
7. Pain Of Loving You (feat. Gloria Belle) 2:59
8. Voice Of My Saviour (feat. Claire Lynch) 4:12
9. My Darling (feat. Valerie Smith) 3:28
10. Never Looking Back (feat. Lynn Morris) 3:00
11. The Day That Lester Died (feat. Claire Lynch) 3:45
12. On The Lonesome Wind (feat. Gina Britt) 3:27
13. Follow Me Back To The Fold (feat. "The Girls") 3:42

Details

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Bluegrass guitarist Mark Newton undertook quite a project when he assembled his 2000 album Follow Me Back to the Fold by calling together some of the most talented women in bluegrass and showcasing many of their compositions on a single CD. Festival stalwarts Rhonda Vincent, Lynn Morris, and the Whites anchor some of the lesser-known newcomers like Valerie Smith and Sally Jones, making for an interesting blend of familiar and new voices. Newton assembled a top-notch band, including Tony Rice, Alan Bibey, Ronnie Stewart, Fred Travers, and (naturally) two female instrumentalists, Missy Raines on bass and Kristin Scott playing banjo. These seasoned studio and touring musicians lay down a clean backdrop for the guest vocalists to work over top of, each adding subtle nuances and their own personal style to their respective tracks. The gentle "A Child Again" is a quiet duet featuring warm and intimate vocals from Cathy Chiavola, while Lynn Morris' "Never Looking Back" rips and rolls along on a more boisterous path. The album ends with an ensemble piece paying tribute to Mother Maybelle Carter, and features all of the performers on the project taking turns inviting their sisters in bluegrass to follow them in embracing the long-neglected involvement of women in bluegrass music.