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Black Flowers, Vol. 4

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Download links and information about Black Flowers, Vol. 4 by Lynn Miles. This album was released in 2014 and it belongs to Alternative, Songwriter/Lyricist genres. It contains 10 tracks with total duration of 37:39 minutes.

Artist: Lynn Miles
Release date: 2014
Genre: Alternative, Songwriter/Lyricist
Tracks: 10
Duration: 37:39
Buy on iTunes $9.90
Buy on Songswave €1.06

Tracks

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No. Title Length
1. Blue Blue Town 3:14
2. When Your Heart 3:52
3. Tears 3:28
4. Sorry's Just Not Good Enough 3:29
5. House of Broken Dreams 2:54
6. Sorry That I Broke Your Heart 3:54
7. Long Time Coming 4:59
8. Sometimes 4:53
9. All the Birds 2:57
10. After All 3:59

Details

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Canadian singer/songwriter Lynn Miles bases all of her tunes for this double-CD set on the lonely times, lost love, and downhearted feelings that stem from personal experience. It seems she expresses that fish-out-of-water state of being universally acknowledged by all thinking human beings plagued with emptiness. Yet this is not a blues-based music, but a folkish, introspective, storytelling type of sound so deeply ingrained that only she can express or experience it. Playing mainly acoustic, or occasionally electric guitar while singing, Miles has a crystal-clear approach to these songs, with little or no mystery involved, but instead a definite message of solitude within isolation. In a distant viewpoint, songs like "Map of My Heart," replete with echo and reverb guitar, the rambling "I'm the Moon," with a reference to a cheap hotel, and the faux denial of "Over You" as she's heading for New Mexico, show Miles in an escapist mood. There's a more hopeful sentiment in spoken phrases during "When My Ship Comes In" and the midtempo "All I Ever Wanted," while Miles plays harmonica for "Eight Hour Drive," even sounding Bob Dylan-ish during the more connected "Flames of Love." On occasion she puts aside the guitar for a piano, in Joni Mitchell-type reflection for "The People You Love" or "You're Not Coming Back." Honest to a fault, Lynn Miles wears her heart on her sleeve 100-percent of the time in a frequently painful but forthright musical portrayal of her soul. ~ Michael G. Nastos, Rovi