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I Can't Make It Alone: The Axelrod Years

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Download links and information about I Can't Make It Alone: The Axelrod Years by Lou Rawls. This album was released in 2004 and it belongs to Hip Hop/R&B, Soul genres. It contains 25 tracks with total duration of 01:16:01 minutes.

Artist: Lou Rawls
Release date: 2004
Genre: Hip Hop/R&B, Soul
Tracks: 25
Duration: 01:16:01
Buy on iTunes $12.99

Tracks

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No. Title Length
1. I Can't Make It Alone 3:01
2. Love Is a Hurtin' Thing 2:13
3. When She Speaks 2:40
4. (How Do You Say) I Don't Love You Anymore 2:47
5. Season of the Witch 5:51
6. Fa-Fa-Fa-Fa-Fa (The Sad Song) 2:38
7. When Love Goes Wrong 2:34
8. Feelin' Alright 2:54
9. You've Made Me So Very Happy 4:27
10. Your Good Thing (Is About To End) 2:52
11. You're Good For Me 3:12
12. Dead End Street 3:58
13. Don't Explain 3:08
14. A Whole Lotta Woman 2:40
15. It's an Uphill Climb To the Bottom 2:55
16. For What It's Worth 2:55
17. Gentle On My Mind 2:48
18. All God's Children 3:52
19. How Can That Be 3:13
20. Bring It On Home 3:22
21. Can You Dig It 0:36
22. Take Me For What I Am 2:39
23. Evil Woman 2:36
24. Soul Serenade 2:25
25. When a Man Loves a Woman 3:45

Details

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Legendary producer and auteur David Axelrod began working with Capitol Records as an A&R man in 1963. He began working with equally legendary singer Lou Rawls in 1964 on the album For You My Love, but the pair didn't score together until 1966 when Axe produced Rawls' Live! set. Like Cannonball Adderley's Live at the It Club, (which Axelrod also produced) this was a live in the studio date, where Rawls and band played to an invited studio audience. That combination of crackling energy and intimacy put the set over the top. And the pair worked together through 1970 when Rawls left Capitol for MGM. This monster 25-track collection shows off in singles and album cuts the incredible partnership this pair established from the mid-'60s through 1970. Axe and Rawls were responsible for reframing many of the pop hits of the day into stellar big-band soul workouts including Donovan's "Season of the Witch," Dave Mason's "Feelin' Alright," Berry Gordy's "You've Made Me So Very Happy," Gerry Goffin and Carole King's "I Can't Make It Alone," Stephen Stills' "For What It's Worth," a funky version of John Hartford's "Gentle on My Mind," and transforming spare soul tunes such as Otis Redding's "Fa-Fa-Fa-Fa-Fa (Sad Song)," and Sam Cooke's "Bring It on Home to Me" into sophisticated big-band rave-ups without sacrificing an ounce of emotion or authenticity. In fact, this music is some of the first uptown L.A. soul, and defined an era in Hollywood. This set compiled by Stateside has all of these cuts and many more, showcasing the kinetic symbiosis of this pairing at Capitol, and then some. The only thing the package lacks is context. While discographical information is here, there is no serious liner essay to tie the set together since the material is not arranged chronologically. That small complaint aside, this is as solid a Rawls set from the '60s as one needs — even if it doesn't include his stellar version of "Tobacco Road." This one is all killer, no filler.