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Methadone Kicking The Habit

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Download links and information about Methadone Kicking The Habit by Lil Blood. This album was released in 2012 and it belongs to Hip Hop/R&B, Rap genres. It contains 25 tracks with total duration of 01:07:31 minutes.

Artist: Lil Blood
Release date: 2012
Genre: Hip Hop/R&B, Rap
Tracks: 25
Duration: 01:07:31
Buy on iTunes $9.99

Tracks

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No. Title Length
1. 3rd World Free Style 2:59
2. Crank Dat Lil Blood 3:39
3. Boski 3X's (featuring Boski) 1:52
4. 3rd My Home (feat. Lil Goofy) 4:02
5. Bang Bang (feat. Young Nu) 2:55
6. Serv Sermons (featuring Kiwi) 3:27
7. Hand Out (feat. Goofy, Con B and Miami) 3:57
8. Boys In My Hood 1:16
9. Self Made Millionare Interlude 2:00
10. Expensive Taste Interlude 1:23
11. Rude B!#ch 3:21
12. Big Dope Packages 3:33
13. Dope Dick Interlude 1:14
14. Slide Real Often (feat. H.U) 3:28
15. Small Fee 2:26
16. Get Back 2:21
17. Super Head (feat. Lil Goofy ) 3:06
18. Nasty 1:25
19. Slow Motion Fast Lane 2:28
20. Untill The End Of Time (feat. Philthy Rich) 2:59
21. F#k Yo Baby Skit 0:59
22. Bank Up (feat. Young Nu, and Shady Nate) 3:46
23. 3rd World Free Boski Turnt Up (feat. Lil Goofy) 3:04
24. Cough Syrup Swagg Free Style 2:54
25. Cash Flow (feat. D Bo The Pimp) 2:57

Details

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Down with the Bay's Livewire collective, Lil Blood has been bubbling up over the last several years, making noise with tons of collaborations (Philthy Rich, Shady Nate, etc.) and projects like Heroin Music: The Leak. On Methadone, he serves up a hefty 25 tracks, loaded with features from like-minded homies such as Lil Goofy, Boski, Kiwi Da Beast, Young Nu, D Bo the Pimp, and Con B. The production is slap-heavy and sports several instantly familiar jams. "Small Fee" revisits 50 Cent's "21 Questions"; "Get Back" recycles LL's "Luv U Better"; "Boyz in My Hood" dusts off the old-school N.W.A anthem as Blood and his army of co-conspirators go nuts on the mic, rhyming mostly about their moves with the ladies ("Super Head") and staying paid ("Banked Up"). Though it's a lot to take in at once, the rambunctious flows and single-centric production help considerably, making for another enjoyable release from the Livewire camp.