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Essential Bluegrass Gospel

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Download links and information about Essential Bluegrass Gospel by Lester Flatt, The Nashville Grass. This album was released in 2004 and it belongs to Gospel, Country, Outlaw Country genres. It contains 17 tracks with total duration of 48:29 minutes.

Artist: Lester Flatt, The Nashville Grass
Release date: 2004
Genre: Gospel, Country, Outlaw Country
Tracks: 17
Duration: 48:29
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Tracks

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No. Title Length
1. I'm Gonna Sit Down Beside My Jesus 2:58
2. Get In Line, Brother 2:17
3. Father's Table Grace 3:19
4. Heaven's Bluegrass Band 2:39
5. What Would You Give In Exchange for Your Soul 3:08
6. Little Brown Church (In the White Oak Grove) 2:56
7. Will the Circle Be Unbroken 3:26
8. The Night Daddy Passed Away 2:39
9. There's Gonna Be a Singing (featuring Betty Jean Robinson) 2:04
10. Back to the Cross (featuring Curly Seckler) 2:51
11. The Unclouded Day (featuring Betty Jean Robinson) 2:47
12. Wicked Man (featuring Betty Jean Robinson) 2:49
13. Tramp On the Street (featuring Betty Jean Robinson) 3:47
14. I'll Fly Away (Instrumental) (featuring Curly Seckler) 2:37
15. Palms of Victory (featuring Betty Jean Robinson) 2:04
16. He Took Your Place (featuring Curly Seckler) 3:25
17. Thinking About You 2:43

Details

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This collection of Lester Flatt's best bluegrass-gospel recordings is quite nice. Despite the fact that he and his pickin' partner in crime, Earl Scruggs, had gone their separate ways by the time these tracks were recorded (1976-1981), Flatt always surrounded himself with some terrific players. This collection serves as a showcase not only for his fine guitar playing and capable voice, but also for Kenny Ingram's bright banjo picking, Curly Seckler's mandolin playing, Betty Jean Robinson's amiable Dolly Parton impression, and a fresh-faced mandolin player named Marty Stuart. The song choices are a little out of the norm, with "Little Brown Church," "I'll Fly Away," and "Will the Circle Be Unbroken" being a few of the more familiar tracks, but the couple of Flatt originals and the remainder of the lesser-known tracks all fit nicely alongside them. The terrific thing about bluegrass-gospel is that the passion and musicianship can be appreciated without bringing any religious beliefs into it, and although the songs all revolve around the Christian faith, any fan of acoustic American music would be foolish to dismiss this on principle alone.