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Les Double Six

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Download links and information about Les Double Six by Les Double Six. This album was released in 1999 and it belongs to Jazz, Vocal Jazz, Classical genres. It contains 20 tracks with total duration of 01:18:21 minutes.

Artist: Les Double Six
Release date: 1999
Genre: Jazz, Vocal Jazz, Classical
Tracks: 20
Duration: 01:18:21
Buy on Amazon $19.99
Buy on iTunes $9.99
Buy on Songswave €2.21

Tracks

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No. Title Length
1. For Lena and Lennie (En flanant dans Paris) 4:10
2. Rat Race (la course au rat) 2:37
3. Stockholm Sweetnin' (Un Coin Merveilleux) 5:40
4. Boo's Bloos (Au temps des Indiens) 5:00
5. Doodlin' (Tout en dodelinant) 4:48
6. Meet Benny Bailey (Au Bout du Fil) 2:48
7. Evening in Paris (Il y a fort longtemps) 4:25
8. Count'em (T'as foutu l'camp) 5:13
9. Tickle Toe 2:25
10. Early Autumn 3:23
11. Sweets 2:40
12. Naima 4:14
13. Westwood Walk 2:41
14. A Night in Tunisia 3:00
15. A Ballad 3:01
16. Scrapple From The Apple 2:52
17. Boplicity 3:00
18. Moanin' 3:10
19. Fascinating Rythm 2:39
20. Walkin' 10:35

Details

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Les Double Six of Paris was a French Lambert, Hendricks & Ross — times-two — and the striking-looking singer/lyricist Mimi Perrin was their Jon Hendricks. They had a thicker, more intricately arranged texture, impeccable diction, a fine sense of swing and great taste, and this generously loaded CD gives you a good idea of their range with three different lineups of singers. Included here are several transcriptions from the Quincy Jones and Count Basie big bands, the combos of Miles Davis, Gerry Mulligan, Shelly Manne, and others from both genres. There is one unreleased track, a literal, at-length transcription of "Walkin'" à la Quincy Jones. Perrin's interpretation of John Coltrane's "Naima" is a spine-tingler; it must have been tough to nail the intervals of that melody and capture its soul as well. Though he does not take any featured solos, Ward Swingle would soon become the best-known expatriate of the group, going on to form the popular Swingle Singers. To the non-French speaker familiar with vocalese in English, there is something disconcertingly remote about many of these performances; the diction is so precise that you feel you're missing a lot of the fun. ~ Richard S. Ginell, Rovi