Beethoven: Fidelio, Op. 72 (Live)
Download links and information about Beethoven: Fidelio, Op. 72 (Live) by Dietrich Fischer - Dieskau, René Kollo / Rene Kollo, Lucia Popp, Hans Sotin, Gundula Janowitz, Manfred Jungwirth, Wiener Staatsopernchor, Leonard Bernstein, Adolfo Dallapozza, Vienna Philharmonic. This album was released in 1978 and it belongs to Classical, Opera genres. It contains 29 tracks with total duration of 02:14:15 minutes.
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| Artist: | Dietrich Fischer - Dieskau, René Kollo / Rene Kollo, Lucia Popp, Hans Sotin, Gundula Janowitz, Manfred Jungwirth, Wiener Staatsopernchor, Leonard Bernstein, Adolfo Dallapozza, Vienna Philharmonic |
| Release date: | 1978 |
| Genre: | Classical, Opera |
| Tracks: | 29 |
| Duration: | 02:14:15 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Fidelio, Op. 72, Act I: "Jetzt, Schätzchen, jetzt sind wir allein" (Live) (featuring Vienna Philharmonic Orchestra) | 4:56 |
| 2. | Fidelio, Op. 72, Act II: "O namenlose Freude" (Live) | 2:42 |
| 3. | Fidelio, Op. 72, Act I: "Nun sprecht, wie ."-"Ach Vater, eilt"-"Verwegner ." (Live) (featuring Vienna Philharmonic Orchestra) | 7:10 |
| 4. | Fidelio, Op. 72, Act I: "Gut Söhnchen, gut" (Live) (featuring Vienna Philharmonic Orchestra) | 6:20 |
| 5. | Fidelio, Op. 72, Act I: "Drei Schildwachen auf den Wall" (Live) | 0:44 |
| 6. | Fidelio, Op. 72, Act II: "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunde" (Live) | 4:57 |
| 7. | Overture "Leonore No. 3", Op. 72a (Live) (featuring Vienna Philharmonic Orchestra) | 14:59 |
| 8. | Fidelio, Op. 72, Act I: "Leb wohl, du warmes Sonnenlicht" (Live) (featuring Vienna Philharmonic Orchestra) | 3:58 |
| 9. | Fidelio, Op. 72, Act I: "Ihr habt recht, Vater Rocco" (Live) | 1:28 |
| 10. | Fidelio, Op. 72, Act I: "Armer Jaquino, ich war ihm sonst recht gut" (Live) | 0:15 |
| 11. | Fidelio, Op. 72, Act I: "Ha! Welch ein Augenblick!" (Live) (featuring Vienna Philharmonic Orchestra) | 3:15 |
| 12. | Fidelio, Op. 72, Act I: "O welche Lust, in freier Luft den Atem leicht zu heben!" (Live) (featuring Vienna Philharmonic Orchestra) | 7:16 |
| 13. | Fidelio, Op. 72, Act I: "Jetzt, Alter, jetzt hat es Eile!" (Live) (featuring Vienna Philharmonic Orchestra) | 4:59 |
| 14. | Fidelio, Op. 72, Act I: "Mir ist so wunderbar" (Live) (featuring Vienna Philharmonic Orchestra) | 5:03 |
| 15. | Fidelio, Op. 72, Act II: "Wie kalt ist es in diesem unterirdischen Gewölbe" - "Nur hurtig fort, nur frisch gegraben" (Live) (featuring Vienna Philharmonic Orchestra) | 6:04 |
| 16. | Fidelio, Op. 72, Act I: "O wär ich schon mit dir vereint" (Live) (featuring Vienna Philharmonic Orchestra) | 4:18 |
| 17. | Fidelio, Op. 72, Act I: "Abscheulicher! Wo eilst du hin?" (Live) (featuring Vienna Philharmonic Orchestra) | 8:13 |
| 18. | Fidelio, Op. 72: Overture (Live) (featuring Vienna Philharmonic Orchestra) | 7:13 |
| 19. | Fidelio, Op. 72, Act I: "Hat man nicht auch Gold beineben" (Live) (featuring Vienna Philharmonic Orchestra) | 2:50 |
| 20. | Fidelio, Op. 72, Act I: "Jaquino!" / "Ja, Meister Rocco?" (Live) | 0:57 |
| 21. | Fidelio, Op. 72, Act II: "Euch werde Lohn in bessern Welten" (Live) | 6:25 |
| 22. | Fidelio, Op. 72, Act I: "Höre, Fidelio" (Live) | 0:39 |
| 23. | Fidelio, Op. 72, Act II: "Heil sei dem Tag" (Live) | 13:16 |
| 24. | Fidelio, Op. 72, Act I: "Marzelline!" / "Nein, ich will nicht." (Live) | 0:39 |
| 25. | Fidelio, Op. 72, Act II: "Alles ist bereit" (Live) | 0:27 |
| 26. | Fidelio, Op. 72, Act I: "Hauptmann! Besteigen Sie mit einem Trompeter." (Live) | 0:22 |
| 27. | Fidelio, Op. 72, Act II: "Gott! Welch Dunkel hier! - in des Lebens Frühlingstagen" (Live) | 11:26 |
| 28. | Fidelio, Op. 72, Act I: "Marsch" (Live) (featuring Vienna Philharmonic Orchestra) | 2:08 |
| 29. | Fidelio, Op. 72, Act II: "Er erwacht" (Live) | 1:16 |
Details
[Edit]
Starting life in 1805 as Leonore (after the work’s heroine), Beethoven’s only opera underwent two revisions before returning to the stage in its final form in 1814 to considerable acclaim. It has enjoyed a regular place in the repertoire ever since, a towering example of a rescue opera. In a fine performance, its power and beauty are considerable. Bernstein’s recording was made in 1978 and is based on performances at the Vienna State Opera: It’s highly dramatic and strongly characterized. Gundula Janowitz (a wonderful Leonore) and René Kollo (an ardent Florestan) head a very strong cast.