|
No. |
Title |
Length |
| 1. |
Symphony No. 3 in E-Flat, Op. 55 -"Eroica": I. Allegro con brio |
14:35 |
| 2. |
Symphony No. 3 in E-Flat, Op. 55 -"Eroica": II. Marcia Funebre (Adagio assai) |
17:43 |
| 3. |
Symphony No. 3 in E-Flat, Op. 55 -"Eroica": III. Scherzo (Allegro vivace) |
5:37 |
| 4. |
Symphony No. 3 in E-Flat, Op. 55 -"Eroica": IV. Finale (Allegro molto) |
12:06 |
| 5. |
Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "Simplicity Itself..." (1st Movement) |
13:23 |
| 6. |
Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "I Always Feel This Gigantism" (2nd Movt.) |
6:06 |
| 7. |
Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "We Have Just Been Examining..." (3rd Movt.) |
5:25 |
| 8. |
Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "All That We Have Said" (4th Movt.) |
9:10 |
| 9. |
Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "The Study of the Eroica Is a Lifetime Work,..." |
1:06 |
| 10. |
Symphony No. 9 in E Minor, Op. 95 - "From the New World": I. Adagio - Allegro molto |
8:51 |
| 11. |
Symphony No. 9 in E Minor, Op. 95 - "From the New World": II. Largo |
13:31 |
| 12. |
Symphony No. 9 in E Minor, Op. 95 - "From the New World": III. Scherzo (Molto vivace) |
7:14 |
| 13. |
Symphony No. 9 in E Minor, Op. 95 - "From the New World": IV. Allegro Con Fuoco |
11:23 |
| 14. |
Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 1. "Does This Music Sound Like the New World to You?" (3rd Movt., Trio II; 1st Movt.) |
9:51 |
| 15. |
Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 2. "We Come Now to the Second Movement, Which Has a Charming Melody, ..." (2nd Movt.) |
3:22 |
| 16. |
Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 3. "The Third Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.) |
1:40 |
| 17. |
Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 4. "And Now the Last Movement. In General I Should Say That This Is the Most Slavic of All" (4th Movt.) |
4:58 |
| 18. |
Musical Analysis: Bernstin On Dvorák, Symphony No.9, Op.95, "From the New World": 5. "The Final Claim of Those Who Argue for the New World Symphny As American Music, ..." (4th Movt.,cont.) |
1:01 |
| 19. |
Symphony No. 2 in C, Op. 61: I. Sostenuto assai - Un Poco Più Vivace - Allegro Ma Non Troppo - Con Fuoco |
12:27 |
| 20. |
Symphony No. 2 in C, Op. 61: II. Scherzo (Allegro Vivace) |
6:58 |
| 21. |
Symphony No. 2 in C, Op. 61: III. Adagio Espresssivo |
11:53 |
| 22. |
Symphony No. 2 in C, Op. 61: IV. Allegro Molto Vivace |
8:14 |
| 23. |
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 1. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme) |
4:22 |
| 24. |
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 2. "To My Mind Schumann Follows In This Tradition" |
1:48 |
| 25. |
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 3. "Now Let´s Look At the Symphony Itself" (1st Movement) |
8:39 |
| 26. |
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 4. "And So We Have Arrived At the Allegro Section..." (1st Movt. Cont.) |
6:51 |
| 27. |
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 5. "In the Marvellous Scherzo That Follows..." (2nd Movt) |
4:49 |
| 28. |
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 6. "But Perhaps the Greatest Beauty..." (3rd Movt.) |
7:31 |
| 29. |
Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 7. "Even In the Final Movement" (4th Movt.) |
5:15 |
| 30. |
Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo |
11:50 |
| 31. |
Symphony No. 4 in E Minor, Op. 98: II. Andante moderato |
11:50 |
| 32. |
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I |
6:07 |
| 33. |
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più Allegro |
10:47 |
| 34. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 1. "Brahms´ Fourth Symphony In e Minor Is Today ..." (4th Movt., Opening Theme) |
4:44 |
| 35. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 2. "Our Journey Begins Without Introduction..." |
5:15 |
| 36. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 3. "Do You See Now What a Symphonic Theme Is?" |
3:23 |
| 37. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 4. "Now, Think of It - We Have So Far Only Had 44 Bars of Music" |
5:46 |
| 38. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 5. "Here Is That Second Theme" |
2:41 |
| 39. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 6. "This Brings Us to the Development Section Proper" |
9:32 |
| 40. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op.9 8, First Movement: 7. and Here We Are Back Home, Ready for the Rehearing of the Exposition, ..." |
2:16 |
| 41. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 8. "So We Arrive At the Coda" |
3:13 |
| 42. |
Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 9. "Well, We Have Had a Microscopic Look At Symphonic Method" |
2:11 |
| 43. |
Symphony No. 6 in B Minor, Op. 74 -"Pathétique": I. Adagio - Allegro non troppo |
18:34 |
| 44. |
Symphony No. 6 in B Minor, Op. 74 -"Pathétique": II. Allegro con grazia |
8:12 |
| 45. |
Symphony No. 6 in B Minor, Op. 74 -"Pathétique": III. Allegro molto vivace |
9:05 |
| 46. |
Symphony No. 6 in B Minor, Op. 74 -"Pathétique": IV. Finale (Adagio lamentoso - Andante) |
11:13 |
| 47. |
Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 1. "Now There Is a Melody, a Pure Orchestral Song..." (1st Movt.) |
9:18 |
| 48. |
Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 2. "Now the Development Section Erupts..." (1st Movt. Cont.) |
1:58 |
| 49. |
Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 3. "Now One Would Think That Tchaikovsky Had Really Exploited the Device of Scales" (2nd Movt) |
1:56 |
| 50. |
Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 4. "Jumping Now to the Famous Third Movement, the Great March..." (3rd Movt.) |
1:50 |
| 51. |
Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 5. "Perhaps the Most Admirable Example of This Is to Be Found In the Wonderful Last Movement, ..." (4th Movt.) |
3:40 |
| 52. |
Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 6. "Now I Don´t Want to Give You the Impression That Scales Are the Only Unifying Force In This Work" |
6:01 |
