Song of Songs

Leading a tight, cohesive quartet, bass player/leader Leon Lee Dorsey's second album is devoted to eight of his originals and one very fine standard, "Old Folks." His first album was 180 degrees the other way, almost entirely devoted to originals. The play list reflects Dorsey's confidence that as played by his talented group, his material is of sufficient interest that it can sustain almost an entire CD. As to the artistry of the players on this session, there is no doubt. With respect to Dorsey's compositional skills, the jury is still out. Much of the material on this disc brings back recordings made during the 1950s and 1960s by any number of good small jazz groups. "The Collector" and "Baptism" recall the Modern Jazz Quartet, with vibist Bryan Carrott and pianist Carlton Holmes assuming the roles of Milt Jackson and John Lewis, respectively. "Chill'n" is a blues number in the manner of Red Garland or Milt Buckner. Dorsey, as much on this track as any, shows his considerable ability as a bass player. "Song of Songs," where things get really heavy, is the most intense piece on the album with thundering piano chords, numerous Vincent Ector drum rolls, and resounding vibes with Dorsey's bass providing the rhythmic underpinning, something Keith Jarrett might consider. "Mecklenburg Morning" highlights the skillful vibes playing of Bryan Carrott who has clearly listened to Bobby Hutcherson. The one standard is caressed rather than played. Here, Holmes' piano is delicate as befitting the title of this tune, "Old Folks." Song of Songs is nice enough music played by individuals endowed with significant musical skills. The album can be added to any collection without embarrassment. But if the expectation is innovative originals with a peek at new jazz vistas, look elsewhere.