|
No. |
Title |
Length |
| 1. |
Introduction |
0:10 |
| 2. |
Brandenburg Concerto No. 2 In F Major, BWV 1047 I. Allegro (Excerpt) |
1:12 |
| 3. |
Hurtling Through Interstellar Space |
10:23 |
| 4. |
Prelude In C Major, BuxWV 137 I. Prelude - II. Fugue (Excerpt) |
1:15 |
| 5. |
After The Street Brawl And The Trip To See Buxtehude |
6:38 |
| 6. |
Toccata & Fugue In F Major, BWV 540 I. Toccata (Excerpt) |
0:57 |
| 7. |
Yet Buxtehude And The Northern German Musical Culture |
3:23 |
| 8. |
Organ Concerto In C Major, BWV 594 (Excerpt) |
0:50 |
| 9. |
Historians Have Argued That The Lesson Bach Learned |
6:19 |
| 10. |
Double Violin Concerto In D Minor, BWV 1043 II. Largo, Ma Non Tanto (Excerpt) |
1:34 |
| 11. |
During Bach's Nearly Six Years At Köthen |
2:31 |
| 12. |
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 24 In B Minor, BWV 869 II. Fugue (Excerpt) |
1:27 |
| 13. |
The Second Köthen Composition That Has Come To Define |
3:07 |
| 14. |
Brandenburg Concerto No. 3 In G Major, BWV 1048 I. — (Excerpt) |
0:36 |
| 15. |
However Productive Bach May Have Been At Köthen |
6:33 |
| 16. |
St. Matthew Passion, BWV 244, Pt. 2 No. 39, Erbarme Dich, Mein Gott, Um Meiner Zähren Willen (Excerpt) |
1:30 |
| 17. |
Bach’s Musical Activities In The Years Following |
3:20 |
| 18. |
Piano Concerto No. 1 In D Minor, BWV 1052 I. Allegro (Excerpt) |
0:54 |
| 19. |
As Well As Its Regular Weekly Concerts |
5:42 |
| 20. |
Musikalisches Opfer, Op. 6, BWV 1079 Sonata À 3, Allegro (Excerpt) |
0:51 |
| 21. |
Despite Bach’s Travelling And Various Guest Appearances |
1:57 |
| 22. |
The Art Of Fugue, BWV 1080 Contrapunctus Inversus XII À 4 (Excerpt) |
0:56 |
| 23. |
As Well As Exhibiting Bach’s Penchant For The Theoretical Aspect |
1:08 |
| 24. |
Mass In B Minor, BWV 232 Dona Nobis Pacem (Excerpt) [1] |
0:53 |
| 25. |
We Know Of Nothing That Bach Composed After This Movement |
2:37 |
| 26. |
Mass In B Minor, BWV 232 Dona Nobis Pacem (Excerpt) [2] |
1:03 |
